MOTOWN MONDAYS! SPOTLIGHTS ON THE CONTOURS

 

—THE CONTOURS

1964

 

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Although the Contours never quite repeated the extraordinary success of “Do You Love Me,” they returned to the charts four times during 1963 and 1964 starting with “Shake Sherry.” They also charted on the R&B Charts with the “B-side” to “Can You Jerk Like Me,” the Smokey Robinson-penned “That Day When She Needed Me.”

In 1964, Billy Hoggs, Joe Billingslea, Hubert Johnson, and Sylvester Potts all left Motown.

Berry Gordy hired Council Gay, Jerry Green and Alvin English to back Billy Gordon, making the Contours a vocal quartet (with Davis remaining the group’s guitarist throughout their stint at Motown). During this period, tracks recorded by both line-ups were being put together for a second album for Motown entitled The Contours: Can You Dance (Gordy 910). However, for unknown reasons, this album was never released by Motown.

Within a year, Sylvester Potts returned to the group (replacing Alvin English), and Billy Gordon departed shortly thereafter. Gordon was replaced by Joe Stubbs, brother of Four Tops lead singer Levi Stubbs. Stubbs soon quit the act and was replaced by Dennis Edwards. Stubbs would later go on to become lead singer of the 1970s non-Motown R&B group, 100 Proof (Aged in Soul).

The group produced three R&B hits on the Gordy label in 1964. “Can You Do It” (#16 R&B); “Can You Jerk Like Me” (#15 R&B); “That Day When She Needed Me” (b-side of “Can You Jerk Like Me,” No. 37 R&B).

In 1964, The Contours comprised of Billy Gordon, Huey Davis, Council Gay, Jerry Green and Alvin English.

 

 

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Source: The Contours; Wikipedia

 

A MOTOWN/CASHBOX ad. Highlighting The Contours’, “Can You Do It” (March 1964)


 

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MOTOWN MONDAYS: SPOTLIGHTS THE ’70S SUPREMES!

Mary Wilson, Jean Terrell, Cindy Birdsong

 

—THE SUPREMES

STONED LOVE

 

Stoned Love” is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. This single and “Up the Ladder to the Roof” are the only top-ten Supremes singles to feature Jean Terrell on lead vocals instead of Diana Ross, who left the group in January 1970 to pursue a solo career. In the UK, it was the post-Ross Supremes’ biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten.

The ‘new’ Supremes second LP, 1970

After a few lines of the song were revised by the producer, “Stoned Love” was recorded during the spring of 1970. The instrumental track was recorded with The Funk Brothers and at least 30 other session musicians in Detroit at Motown Studio B (the former Golden World studio), while Jean Terrell, Mary Wilson, and Cindy Birdsong recorded their vocals in New York. The song was originally written and recorded as “Stone Love”, but during the process of mixing and releasing, it was mislabeled as “Stoned Love”.

A plea for love and peace similar to those recorded by Sly & the Family Stone in the late 1960s, the lyrics of “Stoned Love” were a plea for the people of the world to end conflict and animosity between each other, specifically the Vietnam War.

The Terrell-led Supremes—now rebranded as “the Supremes;” known unofficially at first as “the New Supremes”, and in later years informally called “The ’70s Supremes”— scored hits including “Up the Ladder to the Roof” (US number 10, UK number 6), “Stoned Love” (US number 7, UK number 3) and “Nathan Jones” (US number 16, UK number 5), all of which were produced by Frank Wilson. These three singles were also R&B Top Ten hits, with “Stoned Love” becoming their last No.1 R&B hit in December 1970. 

The Motown songwriting and production team, Nickolas Ashford and Valerie Simpson, produced another Top 20 hit for the group It was a Supremes/Four Tops duet version of Ike & Tina Turner’s “River Deep – Mountain High”.

 

 

 

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Source: Stoned Love; Supremes; Wikipedia

 

A MCRFB NOTE: For a more in-depth story of the Supremes’ ‘Stone Love‘ release, check out this excellent blog from October 17, 2017, as was penned by noted Motown author and historian Adam White

 

 

Stoned Love * acapella

 

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MOTOWN MONDAYS: SPOTLIGHT ON MS. DIANA ROSS

A MOTOWN RECORDS BILLBOARD AD May 23, 1970

 

DIANA ROSS

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Diana Ross (born March 26, 1944) was born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group The Supremes, who during the 1960s became Motown’s most successful act, and are the best-charting female group in US history,  as well as one of the world’s best-selling girl groups of all time.

Diana Ross circa 1975

The group released a record-setting twelve number-one hit singles on the US Billboard Hot 100: “Where Did Our Love Go”, “Baby Love”, “Come See About Me”, “Stop! In the Name of Love”, “Back in My Arms Again”, “I Hear a Symphony”, “You Can’t Hurry Love”, “You Keep Me Hangin’ On”, “Love is Here and Now You’re Gone”, “The Happening”, “Love Child”, and “Someday We’ll Be Together”.

Following her departure from the Supremes in 1970, Ross released her eponymous debut solo album that same year, featuring the No. 1 Pop hit “Ain’t No Mountain High Enough”.

In May 1970, Ross released her eponymous solo debut, which included her signature songs, “Reach Out And Touch (Somebody’s Hand)” and “Ain’t No Mountain High Enough”, the latter becoming Ross’ first number-one solo single. Follow-up albums, Everything Is Everything and Surrender came out shortly afterwards. In 1971, the ballad “I’m Still Waiting” became her first number-one single in the UK

She later released the album Touch Me in the Morning in 1973; its title track was her second solo No. 1 hit.

She continued a successful solo career through the 1970s, which included hits albums like Mahogany and Diana Ross and their No. 1 hit singles, “Theme from Mahogany” and “Love Hangover”, respectively.

Reach Out and Touch (Somebody’s Hand)” is the debut solo single of singer Diana Ross, released in April 1970.

 

 

 

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Source: Diana Ross; Wikipedia

 

 

Reach Out And Touch (Somebody’s Hand) * acapella

 

 

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MOTOWN MONDAY! JUNIOR WALKER & THE ALL STARS

 

 

JR. WALKER & THE ALL STARS

 

 

Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist and vocalist) who recorded for Motown during the 1960s.

The group was spotted by Johnny Bristol, and he recommended them to Harvey Fuqua, in 1961, who had his own record labels. Once the group started recording on the Harvey label, their name was changed to Jr. Walker All Stars. The name was modified again when Fuqua’s labels were taken over by Motown’s Berry Gordy, and Jr. Walker & the All Stars became members of the Motown family, recording for their Soul imprint in 1964.

The members of the band changed after the acquisition of the Harvey label. Tony Washington, the drummer, quit the group, and James Graves joined. Their first and signature hit was “Shotgun”, written and composed by Walker and produced by Berry Gordy, which featured the Funk Brothers’ James Jamerson on bass and Benny Benjamin on drums. “Shotgun” reached No. 4 on the Billboard Hot 100 and No. 1 on the R&B chart in 1965, and was followed by many other hits, such as “(I’m a) Road Runner”, “Shake and Fingerpop” and remakes of two Motown songs “Come See About Me” and “How Sweet It Is (To Be Loved by You)”, that had previously been hits for the Supremes and Marvin Gaye respectively. In 1966, Graves left and was replaced by old cohort Billy “Stix” Nicks, and Walker’s hits continued apace with tunes such as “I’m a Road Runner” and “Pucker Up Buttercup”.

Detroit Free Press Friday, November 24, 1995

In 1969, the group had another hit enter the top 5, “What Does It Take (To Win Your Love)”. A Motown quality control meeting rejected this song for single release, but radio station DJs made the track popular, resulting in Motown releasing it as a single, whereupon it reached No. 4 on the Hot 100 and No. 1 on the R&B chart. From that time on, Walker sang more on the records than earlier in their career. He landed several more R&B Top Ten hits over the next few years, with the last coming in 1972. He toured the UK in 1970 with drummer Jerome Teasley (Wilson Pickett), guitarist Phil Wright (brother of Betty “Clean Up Woman”) Wright, keyboardist Sonny Holley (Temptations) and brilliant young Liverpool UK bassist Norm Bellis (Apple).The band played two venues on each of the 14 nights. The finale was at The Valbonne in London’s West End. They were joined on stage by the FOUR TOPS for an impromptu set.

In 1979, Walker went solo, disbanding the All Stars, and was signed to Norman Whitfield’s Whitfield Records label, but he was not as successful on his own as he had been with the All Stars in his Motown period.

Walker died of cancer at the age of 64, in Battle Creek, Michigan, on November 23, 1995.

 

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(Source: Junior Walker; Wikipedia)

 

 

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MOTOWN MONDAY: SPOTLIGHT ON JIMMY LEE RUFFIN

 

Motown Artist Jimmy Ruffin

 

JIMMY RUFFIN

1936-2014

 

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Jimmy Lee Ruffin  (May 7, 1936 – November 17, 2014) was an American soul singer, and elder brother of David Ruffin of the Temptations. He had several hit records between the 1960s and 1980s, the most successful being the Top 10 hits “What Becomes of the Brokenhearted” and “Hold On (To My Love)”.

JIMMY RUFFIN 1965

In 1961, Jimmy became a singer as part of the Motown stable, mostly on sessions but also recording singles for its subsidiary Miracle label, but was then drafted for national service. After leaving the Army in 1964, he returned to Motown, where he was offered the opportunity to join the Temptations to replace Elbridge Bryant. However, after hearing his brother David, they hired him for the job instead so Jimmy decided to resume his solo career. Ruffin recorded for Motown’s subsidiary Soul label, but with little success.

In 1966, he heard a song about unrequited love written for The Spinners, and persuaded the writers that he should record it himself. His recording of “What Becomes Of The Brokenhearted” became a major success. The song reached #7 on the Billboard Hot 100 and #6 on the R&B Chart. It also initially reached #8 in the UK singles chart, rising to #4 when it was reissued in the UK in 1974.

What Becomes of the Brokenhearted” remains Ruffin’s best-known song. It was the lead single from his debut album Jimmy Ruffin Sings Top Ten (released as The Jimmy Ruffin Way in the UK), which was released on the Motown’s Soul subsidiary label in 1967. Follow-up singles in America were successful, with “I’ve Passed This Way Before” and “Gonna Give Her All The Love I’ve Got” in late 1966 and early 1967.

Ruffin’s second album, Ruff ‘n’ Ready, was released in 1969. It contained the song “Don’t You Miss Me a Little Bit Baby”, which made the lower parts of the Billboard Hot 100 (#68) and was a Top 30 hit on the R&B Charts, peaking at #27. As a solo artist, it would prove to be Ruffin’s last significant chart appearance in America for many years, and his very last significant charting record for Motown in the US. The song was also released as the B-side to “What Becomes of the Brokenhearted” when it was reissued in 1974.

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(Source: Jimmy Ruffin; Wikipedia)

 

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MOTOWN MONDAY: PRESENTING STEVIE WONDER, ’67!

 

STEVIE WONDER 1967

 

 

STEVIE WONDER

I WAS MADE TO LOVE HER

 

I Was Made to Love Her” is a hit single recorded by Motown artist Stevie Wonder for the Tamla label in 1967. The song was written by Wonder, his mother Lula Mae Hardaway, Sylvia Moy, and producer Henry Cosby and included on Wonder’s 1967 album I Was Made to Love Her. Released as a single, “I Was Made to Love Her” peaked at No. 2 on the Billboard Pop Singles chart in July 1967. The song was held out of the top spot by “Light My Fire” by The Doors and spent four non-consecutive weeks at No. 1 on the Hot Rhythm & Blues Singles chart in the United States.[1] The song reached No. 5 in the UK.

When asked in a 1968 interview which of his songs stood out in his mind, Wonder answered “I Was Made to Love Her because it’s a true song.” The song features Wonder’s harmonica solo in the introduction. The song features strings following the bridge section. The song also features the use of an electric sitar in the opening and repeated throughout the verse. The last lyric line “You know Stevie ain’t gonna leave her” was ad libbed by Wonder. The song’s distinct heavy bass chords was rendered by none other than famed Motown bassist, James Jamerson.

 

(Source: Wikipedia)

 

 

 

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MOTOWN MONDAY! JACKSON 5 CHRISTMAS LP: 1970



 

JACKSON 5 CHRISTMAS ALBUM (COMPLETE LP) * 1970

 


 

JACKSON 5 CHRISTMAS ALBUM

Jackson 5 Christmas Album is the first Christmas studio album (and fourth overall) by Motown family quintet the Jackson 5, released in October 1970. Included on the Christmas Album is the Jackson 5’s hit single version of “Santa Claus Is Coming To Town”. The Jackson 5’s versions of “I Saw Mommy Kissing Santa Claus” and “Santa Claus Is Coming To Town” remain frequent radio requests during the Christmas season. The album spent all four weeks at the number one position on Billboard magazine’s special Christmas Albums chart that the magazine published in December 1970, making it the best-selling Christmas album of that year, and, would repeat also in 1972.

(Source: Wikipedia)

Christmas Memories From the Soundtrack of Your Life

Click on (COMPLETE LP) for the complete track listing on this album.

 


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TEMPTATIONS CHRISTMAS LP COVER FLASHBACK! 1970


THE TEMPTATIONSCHRISTMAS CARD‘ ALBUM 1970

 

ABOUT THIS ALBUM

The Temptations Christmas Card is a 1970 Christmas album by The Temptations for the Gordy (Motown) label. The album was released on October 30, 1970. It’s also the group’s first holiday release, it features each Temptation leading on various popular Christmas standards and original Christmas songs.

(Source: WiKipedia)

 

 

RUDOLF THE RED NOSED REINDEER * THE TEMPTATIONS

 


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A STEVIE WONDER CHRISTMAS ALBUM RECALLED! 1967



 

STEVIE WONDER * SOMEDAY AT CHRISTMAS (COMPLETE LP) * 1967

 

 

ABOUT THIS ALBUM

Someday at Christmas is a Christmas album by Stevie Wonder, released on November 27, 1967 by Motown Records under its Tamla imprint. It was his eighth studio album release. The title song was previously released as a single in 1966 and reached #24 on the Billboard Christmas singles chart that year.

(Source: WiKipedia)

Christmas Memories From the Soundtrack of Your Life

Click on (COMPLETE LP) for the complete track listing on this album

 


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