THIRTEEN WEEKS overall on the singles pop charts, “Dominique” by The Singing Nun peaks this week at #1 (4 weeks) on the Billboard Hot 100. Beginning November 24 through week-ending December 7, 1963.
Source: Joel Whitburn’s Pop Annual [1963]
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The featured single finalizes the Billboard number one hits for the year 1963, as were featured in the Billboard Hot 100 Singles charts. Each of the 20 singles were represented in their respective numerical order in the weekly charts, beginning first week in January thru the last week in December, 1963.
For our previous Billboard Number One 1963 U.S.A. Hits go HERE
The image the group created here last spring appears to be paying off on their current tour, which could be the biggest invasion since the Beatles
The Stones are here! The five long haired, boot-footed, leather-jacketed beats were scheduled to arrive in New York on Friday (October 23), for their second American stomp, which promises to be a gash-of-a-bash, kicking off with two SRO performances at the New York Academy of Music on October 24.
According to the Rolling Stones their last tour here in the spring was a disaster. The one bright spark which saved them from an almost total wash out on the tour circuit was their final, chaotic New York, Carnegie Hall scene, which resulted in the hall being banned to other beat groups and an eleventh hour triumph for the boys.
Happy promoters. There are several happy promoters on the current Stones tour — and very few empty seats. The five rebels have arrived. They’ve done it the hard way, without a great big smash record and with only the one redeeming factor from their last tour. Their image, and the impression they left behind on their previous trip is one of belligerence and rebelliousness. They didn’t achieve their desire to conquer the entire American market, but they passed judgement too quickly. The sum total of their previous tour and its publicity has meant big box office on their current swing across the country.
Before the five Rolling Stones — Mick Jagger, Brian Jones, Keith Richard, Charlie Watts and Bill Wyman — arrived, publicity, promotion and general arrangements had reached pandemonium, stage 1. GAC, London Records and publicist Connie deNave had been besieged with limitless phone calls and letters, asking for press interviews, personal interview sand any other contact with the boys.
Big magazine coverage. Nearly every fan magazine in the country (and some of the slicks ones too), woke up to the fact that the Rolling Stones were coming and planned six or eight page spreads on the boys both in color and black and white. Other press interviews and photo sessions have been set up across the country, including one which was scheduled at the New York Astor Hotel immediately after their arrival Friday (October 23). At press time, it was also hoped that a complete photo session could be arranged during rehearsals for the Ed Sullivan Show, Sunday (October 25).
Because of the ban on arrival receptions at Kennedy Airport, the Rolling Stones arrival was kept a complete secret until a couple of days before they came in. As it is, arrangements were made for the group to have special security at all times during their stay, and for the most part they will be accompanied by private guards wherever they travel. However, these plans are not expected to curb Stones fans from turning up at other airports throughout the United States or at any hotels. In fact, mass riots and a way to deal with them were points high on the agenda for attention some weeks before the boys came in.
50,000 eager fans. An example of the Rolling Stones increasing popularity here is the staggering total of 52,000 official national fan club membership with another 10,000 unofficial followers.
Rolling Stones mania finally hit home when two girls from Cleveland left their families in an attempt to visit the boys in England. Miserably for them, they failed, but as a result of their efforts, the girls and their families will be guests of the group at their Cleveland concert on October 31.
Will record here. During their trip, the Stones will record several sessions under the aegis of their British producer Andy Oldham. Recording dates have been set up in New York, Chicago and Los Angeles. The group will also tape an Electronovision spectacular for a Christmas showing, appearing on the same show, along performances by Billy J.Kramer & The Dakotas, Gerry & The Pacemakers, The Beach Boys and Lesley Gore (and possibly other big names may be added).
Out in time for their arrival were three new one shot fan books and a new hit single on London, “Time Is On My Side” which is bounding up the charts.
Last time, people were curious. This time they’re excited, and in terms of prestige alone, this tour could turn out to be one of the most sensational and spectacular concert events of the year.
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Information, credit and news source: Music Business, October 31, 1964
The film covers the Funk Brothers’ career via interviews with surviving band members, archival footage and still photos, dramatized re-enactments, and narration by actor Andre Braugher. The film also features new live performances of several Motown hit songs, with the Funk Brothers backing up Gerald Levert, Me’shell Ndegeocello, Joan Osborne, Ben Harper, Bootsy Collins, Chaka Khan, and Montell Jordan.
The impetus behind making the film was to bring these influential players out of anonymity. In addition to bassist James Jamerson, The Funk Brothers consisted of the following musicians: Jack Ashford (percussion); Bob Babbitt (bass); Joe Hunter (keyboards); Uriel Jones (drums); Joe Messina (guitar); Eddie Willis (guitar); Richard “Pistol” Allen (drums); Benny “Papa Zita” Benjamin (drums); Eddie “Bongo” Brown (percussion); Johnny Griffith (keyboards); Earl Van Dyke (keyboards); and Robert White (guitar).
The Funk Brothers (with Motown from 1959 thru 1973) produced more hits than The Beatles, The Rolling Stones, The Beach Boys and Elvis Presley combined.
‘Standing In The Shadows of Motown’, released today, November 2002.
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Source: Standing In The Shadow Of Motown (film); Wikipedia
Sung by Montell Jordan and Chaka Kahn. Introduction by Jay Butler
Carl Coffey. Over five decades in the radio broadcasting business. We lost the long-time, legendary (WRIF and WCSX) Detroit ‘Classic Rock’ veteran, on September 24, 2022. He was 73.
In his memory, you can send a Sympathy Card or sign the Guest Book, online. You can read Carl Coffey’s obituary, here.
NEW!A special THANK YOU to Robert Zerwekh. From the Robert Zerwekh Collection.
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WCSX Carl Coffey with Mark Farner (Grand Funk Railroad).
Motor City Radio Flashbacks extends warm, belated Birthday wishes to Lee Alan (affectionately remembered as ‘The Horn’). Happy Birthday, Lee, we hope your day was truly special. Thank you again, for those great WXYZ radio memories you shared with Detroit nightly on the dial, ‘back in the ’60s’ 🙂
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The above featured photo courtesy of Lee Alan; Facebook. The Lee Alan photo montage below was created by Motor City Radio Flashbacks in 2018.
The above featured Detroit Free Press WKNR ad was digitally colorized, restored and re-imaged by Motor City Radio Flashbacks.
‘Battle Of The Giants’ promo is courtesy of Bob Green Productions, Houston, Texas. Audio digitally remastered by Motor City Radio Flashbacks
A special thank you to senior MCRFB consultant Greg Innis, of Livonia, MI., for contributing the Newspapers.com archives (Detroit radio related) articles, ads, and images we have featured on this site, since 2016.
Thank you, Greg Innis, for making these historic Detroit radio features possible. 🙂
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Missed any of our previous ‘Detroit Radio Back-Pages‘ features? GO HERE
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This WKNR recording was donated to the Motor City Radio Flashbacks archive, some years back. Accordingly, it was given to this site by the contributor who personally recorded the program on reeled tape, in October 1969. Since then, the recording had been converted into a digitized file for audio preservation.
A Sunday evening presentation, it appears the program may have aired on WKNR AM and, most likely was simulcast on WKNR FM. You will note the recording sounds as though it may have been recorded off the AM band instead, hence the static heard throughout the program.
Also, without any degree of certainty, not clear whether this was the original WKNR broadcast which initially launched the ‘Is Paul Dead?’ controversy. The nameless donor, in sharing this recording expressed complete anonymity. He resides elsewhere outside the State of Michigan today.
By 1961, Toby David was a 25 year Detroit radio veteran, since having first been hired as a 21 year-old to do zany character voices in comedy and program frolics on Joe Gentile’s morning show at CKLW in 1935.
After 5 years at CKLW, he left for WMAL in Washington D.C. for his own morning show. Several years there, David made his move for mornings on WJZ in New York (an NBC affiliate) where his show was syndicated over the NBC Blue Network, coast-to-coast.
In 1946, David returned to Detroit, landing on WJR hosting three different programs there throughout the broadcasting day. After his stint at WJR, he left for WWJ as a side-kick morning man to Minnie Joe Curtis in the mornings.
In the early-1950s, CKLW legendary morning man Joe Gentile left CKLW for WJBK. Upon hearing of Gentile’s exit, David contacted the station manager at CKLW (he had previously worked under at CKLW eight years earlier) and was hired back with his own morning show throughout the 1950s.
By the late-1950s, Toby David also had his own show on CKLW-TV (Windsor, Ontario) doing a children’s program as Captain Jolly on Channel 9.
Long-since having been retired from radio (1964), Toby David died of a heart-attack, in Mesa, Arizona, September 1994. He was 80.
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Credit and source information: ‘Rockin’ Down The Dial’, by David Carson Momentum Books Ltd., Troy, MI. Copyright 2000
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