BILL DRAKE, REDUX: THE RADIO PROGRAMMER SPEAKS


RADIO & RECORDS Bill Drake THE TOP 40 STORY (1977)

RADIO & RECORDS Bill Drake THE TOP 40 STORY (1977)

RADIO & RECORDS Bill Drake THE TOP 40 STORY (1977)

RADIO & RECORDS Bill Drake THE TOP 40 STORY (1977)

RADIO & RECORDS Bill Drake THE TOP 40 STORY (1977)

 

BILL DRAKE

The Top 40 Story

 

In this special edition we have interviewed the key programmers that helped shape the direction of the format to its present state. Our sincere thanks to Gordon McLendon, respected as the most creative radio programmer in history. Almost every format heard on the radio today has been influenced by this man. We are also indebted to Rick Sklar, VP ABC Radio, who has guided the ABC stations to dominant market positions,

Bill Drake, who had the most dramatic effect on the format and is still today the most successful programmer
with over 200 stations currently under his guidance.

Paul Drew, who until recently was VP Programming for RKO, and Kent Burkhart, a man who has been taught by the best and has since added quite a bit to the format himself.

If it were not for these people and the many others involved in the creation of this publication, taking the time to share their knowledge, the opportunity to learn from history might still not exist.

 

RADIO & RECORDS

 

BILL DRAKE

 

Bill Drake (January 14, 1937 – November 29, 2008), born Philip Yarbrough, was an American radio programmer who co-developed the Boss Radio format with Gene Chenault via their company Drake-Chenault.

It was later at KYNO in Fresno, California that he met Gene Chenault, who became his business partner. Together, the pair developed highly influential radio programming strategies and tactics, as well as working with future “Boss Jocks” (their new name for on-air radio talent).

Drake-Chenault perfected the Top 40 radio format, which had been created by Todd Storz, Gordon McLendon and other radio programmers in the late 1950s, which took a set list of popular songs and repeated them all day long, ensuring the widest possible audience for the station’s music. Jingles, news updates, traffic, and other features were designed to make Top 40 radio particularly attractive to car listeners. By early 1964, the era of the British Invasion, Top 40 radio had become the dominant radio format for North American listeners and quickly swept much of the Western world.

 

(Source: WiKipedia)

 

RADIO & RECORDS Bill Drake TOP 40 1977

 

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