Month: June 2014
HAPPY FATHER’S DAY
50TH! GEORGE MARTIN PLAYS ON ‘RINGO’S THEME’ ’64
‘A HARD DAY’S NIGHT’ THE GEORGE MARTIN ORCHESTRA
___
When the Beatles appeared for a three week session at the Paris ‘Olympia’ in January, 1964, John and Paul were concerned with the problem writing all the new songs for their first film — as yet untitled — and in addition they had to cook up a brand new single for release in February.
They had a piano moved into their suite at the Hotel Georges V, and they set to work. By the end of their stay they had laid the foundations for the film songs and written ‘Can’t Buy Me Love’ — the single which we recorded in our EMI Paris studios. At this time Paul played me his first ideas for ‘And I Love Her.’
Later, when I was busy orchestrating the background score it was decided to use Beatles music in the background whenever possible. Hence, ‘This Boy’ became ‘Ringo’s Theme’ in the Towpath sequence, and ‘A Hard Day’s Night’ was burned into a Jazz waltz for Grandpa’s chase scene from the Police Station. ‘If I Fell’ was not used orchestrally in the film, but I liked the tune so much I did a score anyway, and the end result is here.
I get great pleasure out of arranging the Beatles’ materials, and when the orchestra musicians comments on the quality of the music they are playing, I get an even bigger thrill telling them who wrote it.
___
Music score from the film . . . ‘A Hard Day’s Night’
— George Martin; EMI Records Limited (1964)
GEORGE MARTIN’S “AND I LOVE HER”/”RINGO’S THEME” ’64
George Martin Orchestra’s “And I Love Her,” made it’s initial debut on the Billboard singles chart in July, 1964, the same month the Beatles ‘A Hard Day’s Night’ film (and their film album) made its theatrical debut in cities across America. The Martin instrumental, a song composition penned by Lennon-McCartney for the film, stayed 4 weeks on the charts (“Bubbling Under” the top 100) having peaked at No. 105 on August 1, 1964.
But the flip side of Martin’s “And I Love Her,” entitled, “Ringo’s Theme (This Boy),” another Martin instrumental score from the movie, rose much higher in popularity on the Billboard “Hot 100” several weeks later, in lieu after the film’s soundtrack score having been released by United Artists, on June 26, 1964.
“Ringo’s Theme (This Boy),” peaked higher than “And I Love Her,” having topped off at No. 53 during its eight week run on the Billboard “Hot 100,” on September 12, 1964.
In Detroit, “Ringo’s Theme” made the playlist on album-oriented radio stations WJR, WWJ, WCAR, WQTE and WJBK (as heard here), which incidentally by that time WJBK dropped it’s top 40 format for an easy-listening conservative radio sound in August, 1964.
This year, come July, will mark 50 years having passed since the release of the George Martin single and that of the Beatles’ film, ‘A Hard Day’s Night.’ In observance of the Fab Four’s 1964 theatrical film release, also comes the exciting news ‘A Hard Day’s Night’ will hit the silver big screen once again in major cities across the country on July 4, 2014.
‘KICKIN’ OUT THE JAMS’ WITH WKNR’S SEAN CONRAD!
A WKNR FLASHBACK: Sean Conrad inside the WKNR studio in 1968 (Photo courtesy and property of Sean Conrad)
THE TRUE STORY OF A DISK JOCKEY | SEAN CONRAD
MOTOR CITY RADIO FLASHBACKS was pleased recently having heard from WKNR’s own Sean Conrad, the popular Keener 13 deejay on WKNR from 1968 through early-1970.
Sean Conrad resides today in Santa Cruz, California. Sean Conrad also informed us he has authored his own personal story of his rise and fall as a top 40 deejay, in his book, “Kickin’ Out The Jams – The Purple Haze Of My Crazy Daze In Radio.”
In his book Conrad devotes several chapters of his personal adventures, successes (and of his personal misadventures, and misfortunes) during the time when he was in radio and thereafter beyond. He also relates the time he was a Keener deejay while in Detroit (in several chapters) as well, which includes stories of the Grande Ballroom, Ted Nugent, The MC 5 and more of what was happening here behind the scenes of the music culture that was so much a part of Detroit during the late-1960s. You can read several of Conrad’s book reviews, here.
And this from the Barnes and Nobles website —
‘Kickin’ Out The Jams’ Book Overview
A record spinner’s memoirs…The true story of the day-to-day, play-by-play adventures of a young, insecure, teenage wallflower, from a small Midwestern factory town, who dives head first in to the rabbit hole of psychedelia, flaxen, waxen, sex, drugs, and rock and roll.
In the dawning of the Age of Aquarius, Sean Conrad experiences the ups and downs of having just too damn much fun—and the consequences that come with it. From hanging out with rock stars to being homeless… and back again. From Porsches to the potholes of life. From scribbling autographs to signing divorce papers. Can there possibly be a happy ending?
Addendum: Want to listen to an audio portion of Sean Conrad’s book? Listen here, courtesy WhisperSync for Voice at Amazon’s Audible.com. For more on Sean Conrad today, here’s the link to his website here. Thank you, Sean Conrad for discovering us at Motor City Radio Flashbacks. Thank you also for sharing with us your two WKNR airchecks from 1968 and from 1970! Your Keener airchecks has now found their new place here at MCRFB.COM, soon to be archived permanently with all the other great Detroit radio legends in the Motor City Radio Flashbacks aircheck library. KEENER lives!
M O T O R C I T Y R A D I O F L A S H B A C K S
A KNORR BROADCASTING 1964 CROWLEY WELCOME!
A WKNR FLASHBACK: WKNR Knorr Broadcasting ad extended a big welcome to Mort Crowley to Detroit. Billboard, January, 1964.
MCRFB COMMERCIALS VAULT: WKMH TIGER BASEBALL!
WRIF-FM BACK ON THE RADIO: ANN CARLINI!
THE ‘RIF MORNING CREW: THE NINETY-SIX BEERS SONG
THE DOORS EMERGES ‘HOT’ WEST COAST BAND . . . JUNE 10, 1967
From the MCRFB NEWS archive: 1967
Los Angeles Group Hottest Commodity For New York Based Record Label
HOLLYWOOD — The Doors have emerged as the leading Coast rock group for Elektra, a New York-based label. The quartet’s LP bearing its name has been moving out of the label’s local distributor at a brisk rate. Since January 1, some 50,000 copies have been sold, according to the company.
The rising popularity for the group, who have been together over a year, has sparked a Manhattan concert and a club engagement in mid-June. They will perform at a June 11 concert at the Village Theater with Janis Joplin and work the Scene for three weeks following the concert. Locally, the group has worked every major rock club on a percentage basis, usually $1,000 against 25 per cent. Their Scene booking engagement will be set for a reportedly marked straight salary pay.
Their New York engagements are the group’s second East Coast appearances. The first time around they were not as active on the charts as they are now. Their current single, “Light My Fire,” and their debut LP from which the single had been adapted from, both are chart climbers. This sales reaction, which began in the band’s hometown Los Angeles, is now spreading Eastward.
Elektra has also snared enthusiasm for Love, to obtain a strong one-two punch among Coast contemporary and progressive music buffs, an added respective momentum employed by the label’s increase both in sales (Doors and Love) in current singles and LP charts. END
___
(Information and news source: Billboard; June 10, 1967)
LIGHT MY FIRE (Single) * The Doors * ELEKTRA (1967)
A MCRFB NEWS brief: 1967
DOORS STRIKE GOLD ON ITS DEBUT ALBUM
NEW YORK — The Doors’ album, ‘The Doors’ on Elektra, has been awarded the RIAA Gold Record for sales in excess of 1,000,000. The group is the only one this year to win a Gold Record with their first album. The Doors’ second album, ‘Strange Days’ will be released late this month. END
(Information and news source: Billboard; September 23, 1967)
LIGHT MY FIRE (Instrumental) * The Doors * ELEKTRA (1967)
THE DOORS (Complete Album) * ELEKTRA (1967)
A MCRFB NOTE: Click over (Complete Album) for link of album title tracks.