WJBK FROM ROCK TO CONSERVATIVE . . . AUGUST 1, 1964

WJBK Drops, WKNR Tops, WXYZ and CKLW Remain in Motor City Top 40 Race

 

 

 

WJBK RADIO 1500 RECORD REVIEW February 28, 1964

DETROIT — The Motor City will soon lose its distinction of being the only city in the U. S. with four full-time contemporary music formatted radio stations.

WJBK, the Storer-owned station, will drop its rock-pop music format on Aug. 16 in favor of an all-album, conservative music format.

The post-TV situation saw a battle for the pop market between WXYZ, the ABC-owned outlet, WKMH with Robin Seymour leading the way, and WJBK.

Six or seven years ago, the 50,000-watt CKLW, just across the river in Windsor, began to feature a younger deejay line-up and more of the current pop singles. The RKO General station with its big wattage has been effectively carving an important niche for itself in the Detroit market as well as in secondary markets in Ohio, Michigan and Indiana.

The next significantly important change in the contemporary station line-up was the switch of WKMH to a standard, no rock policy, leaving the field to WXYZ and WJBK, with CKLW contributing its share to the hot pop scene, but not to the same degree.

ENTER WKNR

WKNR MUSIC GUIDE February 13, 1964

The most exciting change in the status quo took place in November of last year when WKMH pulled a complete 360degree switch in music format and call letters. With its new call letters, WKNR, came a 30 plus 1 contemporary music format, promotions galore, razzle dazzle and several new swingin’ air men.

The impact of WKNR greatly altered the market picture, rating-wise and pop music-wise. The tight play-list formula and concentrated on and off-the-air promotion drove the station’s ratings from obscurity up to a position of prominence.

Although many factors must be taken into consideration in reasoning why a station decides to change its format, many programmers label any format changes as a certain sign of defeat. Industry observers opinion that the mitigating factor in the forthcoming WJBK change was brought on primarily by the impact of WKNR on the market, along with the solidifying of WXYZ’s influence on its pop music audience and coupled with increased competition in the same area from CKLW.

Other important factors to be taken into consideration is the affinity of the Storer Broadcasting Company for conservative and subdued music formats. WJBK will, along with WGBS, Miami; WHN, New York City; WJW, Cleveland and KGBS, Los Angeles, be programmed musically from Storer head quarter’s music department in Miami. At present Storer’s 50,000watt station in Philadelphia is the company’s foremost and highly successful exponent of contemporary music. Top-rated Storer station. WSPD in Toledo, also features a pop music, news and personality format.

CURRENT RESEARCH

WJBK is presently in the survey of the listeners in Wayne, Oakland and Macomb counties to keep in touch with their tastes, desires and preferences in radio. “Although we have only completed approximately half of the current survey we are learning that a majority of the people polled are desirous of the type of format we will be launching in August,” said John Grubbs, WJBK program manager.

WJBK P.D. John Grubbs (1964)

According to Billboard’s May 16 Radio Response Rating for Detroit, WQTE and WWJ reported conservative music formats. WCAR and WJR features music of the standard variety, culled primarily from albums. “WJBK’s ‘Sound of (Just Beautiful) Music’ and ‘Total Information News’ format is being designed to incorporate all members of the staff,” said Grubbs. “Our air personalities are all top pros and are capable of handling any format.”

WJBK staffers include Marc Avery, Clark Reid, Bob Lee, Robin Walker, Bob Edgington, and Bob Layne. Grubbs scotched rumors circulating in the trade in recent weeks that he is being transferred to WIBG in Philadelphia as program manager replacing William Wheatley. “The rumors circulating to the effect that I am being moved to WIBG or any other station are not in any way based on fact,” emphasized Grubbs. END

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Information, credit and news source: Billboard, August 1, 1964

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BROADCASTING | WWJ DETROIT RADIO AD: SEPTEMBER 1962

BROADCASTING September 10, 1962

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The above Broadcasting 10/1962 WWJ ad was digitally re-imaged and restored by Motor City Radio Flashbacks

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BROADCASTING | WWJ DETROIT RADIO AD: JANUARY 1963

BROADCASTING January 28, 1963

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The above Broadcasting 01/1963 WWJ ad was digitally re-imaged and restored by Motor City Radio Flashbacks

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RECORD WORLD | MOTOWN EXECUTIVES HEAD TO EUROPE . . . . OCTOBER 10, 1964

Motown Founder Berry Gordy, Esther Edwards, Barney Ales Head to UK and Europe to Set Up the Tamla-Motown Label

 

 

DETROITBerry Gordy, Jr., President of Motown Record Corporation, will fly to London, England, Oct. 5 to meet with officials of EMI Records and to arrange for overseas exploitation and distribution for the diskery’s product on a Tamla-Motown label. He will be accompanied by Mrs. Esther Edwards, VicePresident-Director of the firm’s International operations; Barney Ales, Exec Vice-President and Sales Director, and George Schiffer, Motown Legal Counsel.

The foursome will spend two to three weeks abroad visiting other licensees distributing Motown’s products. A sharp up-swing in popularity in Europe of Motown’s disks is currently evidenced by top chart position of America’s The Supremes, recipients of the coveted Shooting Star Award from England for their recording of “Where Did Our Love Go,” plus strong airplays on Radio Caroline, England and Radio Veronica, Holland.

Records by such other Motown Artists as Marvin Gaye, The Miracles, Martha and The Vandellas, The Four Tops, The Marvelettes, The Temptations, Mary Wells, The Contours, Kim Weston and Brenda Holloway have been registering solid reaction overseas, label reports. More than half the aforementioned are currently represented on national charts in the United States.

The Supremes, who currently have two hit singles on the Motown label, the most recent, “Baby Love,” and also an album entitled, “Where Did Our Love Go,” will arrive at London Airport, England, 8 a.m., Tuesday, Oct. 6 for a one-week whirlwind tour of radio and TV engagements. Should time permit, The Supremes will visit Holland, Germany and France for a day in each country.

Mrs. Edwards plans, while overseas, to setup TV, theater and nightclub engagements, as well as personal appearance and promotion tours for the artists.
Motown, in the record business less than six years, has experienced a meteoric rise under Gordy’s direction. Last year the company had 32 hits on the major charts. Now in an expansion pro gram, Motown is increasing its album output and plans to place heavier emphasis on jazz, country and folk, states VP Ales.

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Information, credit and news source: Record World, October 10, 1964

MOTOWN Berry Gordy and Esther Edwards, Barney Ales (background), the Supremes and Motown legal counsel George Schiffer (right) arrive at London Airport, October 6,1964.

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THE VOICE OF SUMMER RECALLED: BALTIMORE ORIOLES vs THE DETROIT TIGERS, SEPTEMBER 29, 1991

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DETROIT FREE PRESS | Monday, September 30, 1991 —THE TIGERS WERE ELIMINATED in the American League East race Sunday — but because of Cal Ripkin, Jr., it happened gracefully.

The Orioles shortstop hit two homers, good for four runs, to beat Scott Aldred, 7-4, in front of 17,925.

Ripkin has made these last three days at Tiger Stadium the most productive series of his brilliant career. He has driven 11 runs — his most RBIs ever in one series. This virtuoso completes his current Detroit engagement in the Tigers’ home finally tonight.

Orioles 7. Tigers 4. (Click on box score for largest detailed view)

The Tigers, who trailed from the time Ripkin hit a three-run homer in the third inning, fell 7 and a half games behind the Toronto Blue Jays with one week left. Even if the Tigers win their remaining seven games and the Jays lose their remaining six, the Tigers can’t tie them — something they did for three days that marked the peak of their season.

On August 24-26, the Tigers were completing the seven-game winning streak and the 18-7 burst that allowed them to catch, but not pass, the Jays. Then the Tigers immediately slumped and never got hot again. (See article below for more; click on, tap or stretch article for larger detailed read).

Detroit Free Press, 09/30/1991 | Copyright 2022. Newspapers.com

BASEBALL REFERENCE: For the complete Baltimore Orioles vs. Detroit Tigers September 29, 1991 game-day box score and stats — click HERE

Detroit Free Press September 29, 1991 [A]

Detroit Free Press September 29, 1991 [B]

Ernie and Paul. Last game broadcasting together, Monday, September 30, 1991 (Photo: Detroit Free Press)

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THE ‘BIG 8’ CKLW! THE WEEK’S MOTOR CITY ‘BIG 30’ RECORDS: SEPTEMBER 27, 1971

CKLW BIG 30 September 27, 1971

CKLW BIG 30 September 27, 1971

CKLW BIG 30 September 27, 1971

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“The listing of records herein is the opinion of CKLW based on its survey of record sales, listener requests and CKLW’s judgement of the record’s appeal.”

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The featured CKLW chart was digitally restored by Motor City Radio Flashbacks

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A Special Thank You

A sincere, thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity, dedication, and your continuous support.

Above CKLW music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.

CKLW BIG 30 September 27, 1971

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THIS WEEK! WJBK RADIO 15 RECORD REVIEW: SEPTEMBER 27, 1963

WJBK RADIO 1500 RECORD REVIEW September 27, 1963

WJBK RADIO 15 RECORD REVIEW September 27, 1963

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This official Record Review survey was tabulated overall by each record’s popularity and its appeal, sales, listener requests and record airplays based on the judgement of WJBK Radio 1500 (1963).

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The above WJBK chart was digitally restored by Motor City Radio Flashbacks

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A SPECIAL THANK YOU

A sincere, thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity, dedication, and your continuous support.

Above WJBK music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.

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THE ESSENCE OF ’60s SOUL GENERATION: 1963 DEFINED!

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Debuted August 3, 1963. Peaked #10 (1 week). “Hey, Girl” charts 11 total weeks overall in the Billboard R&B Singles charts.

Source: Billboard Top R&B Singles [2004 Edition]

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THE ESSENCE OF ’60s SOUL GENERATION: 1963 DEFINED!

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Debuted September 21, 1963. Peaked #6 (1 week). “Talk To Me” charts 17 total weeks overall in the Billboard R&B Singles charts.

Source: Billboard Top R&B Singles [2004 Edition]

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