Motor City Radio Flashbacks celebrates today the return this year of the Woodward Dream Cruise!
In commemorating this year’s event, we are featuring Jim Hampton’s 2015 Woodward Dream Cruise three hour radio special — “DJ’s, Cars and Cruisin’ ” — which aired on WOMC 104.3, August 15, 2015, the 21st anniversary of the Woodward cruise event. “Do you remember . . . do you remember?”
A special THANK YOU to Jim Hampton for having shared this exclusive RADIO RECALL audio gift with Motor City Radio Flashbacks.
It’s time to celebrate those amazing days of yesterday, with host Jimmy Hampton . . . DJ’s, cars, and cruisin’ . . . enjoy the WOMC 2015 Dream Cruise memory! 🙂
Today we present a selected WXYZ Joey Reynolds audio extraction from the Motor City Radio Flashbacks airchecks library.
Long archived in the collection, this audio file has been digitally renewed, enhanced in sound, much improved overall (note there are several ‘drop-out’ flaws in place from the original recording).
Also corrected was the recording’s faster speed pitch, having slowed the recording down to a more ‘normal’ state than what the original recording archived sounded previously.
Another classic Motor City radio flashback. Joey Reynolds on WXYZ. This month, fifty-five years ago.
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THE MOTOR CITY RADIO FLASHBACKS AIRCHECKS COLLECTION
The original featured recording was posted HERE on Motor City Radio Flashbacks seven years ago, September 12, 2014.
In 1966, WXYZ radio promoted heavily Joey Reynolds’ anticipated arrival from Cleveland to Detroit. Having been discovered by Lee Alan on radio WIXY 1260 while on a business trip there, one of the station’s promotions was having distributed for their listeners this record 45, “Joey Reynolds’ Theme”, as recorded by The 4 Seasons. Joey Reynolds was the late-night personality on Radio 1270 from 9-midnight. Short-lived at the station, Reynolds tenure on WXYZ was a little over 6 months, from April to October of that year.
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This audio feature was restored by Motor City Radio Flashbacks
FOURTEEN WEEKS overall on the single pop charts, “Where Did Our Love Go” by The Supremes peaked at #1 this week (2 weeks) on the Billboard Hot 100. Beginning August 16 through week ending, August 29, 1964. (Source: Billboard)
For our previous Billboard 1964 Number One U.S.A. Hits go HERE
MUSIC BUSINESS — (08/15/1964) —Music City was shocked and stunned and joined its grief with much of the rest of the world over the tragic deaths here of world-famous country music singer Jim Reeves and his piano player-road manager, Dean Manuel, when their private plane crashed during a thunderstorm late Friday (July 31) afternoon.
Thecrash occurred ina densely-woodedareaafew miles south of Nashville and only five miles from their airport destination. The body of Reeves, identified by his billfold, was found some 20 feet from the crash site but that of Manuel was still in the plane’s cabin. Eddy Arnold, national country music star, was on the scene with State Highway Inspector J. J. Jackson. There was only slight evidence of fire and death is presumed to have resulted instantly from the violent impact of the plane with the surrounding wooded terrain.
Massive Search
Although the crash occurred lateFridayafternoon,the plane’s wreckagewasnot found until Sunday morning despite a massive search over a 20 square mile area by a small army of volunteers including many of the victims’ Grand Ole Opry colleagues. They were aided by civil defense teams, Tennessee National Guard helicopters and private planes. The heavyshrubbery,however, prevented the wreckage’s beings potted from the air and not until civil defense workers had combed the area on foot was the plane’s debris discovered.
The areacovered by the search is one in which many Grand Ole Opry stars in recent years have built sumptuous homes with extensive acre-ages. Among the nearby residents are such Opry luminaries as Marty Robbins who reported to police that he had heard a plane’s engine sputtering and seeminglyin trouble during the thunderstorm.
Also living nearby are Eddy Arnold who scoured the countryside in a jeep assisting in the hunt, Carl Smithwhobroughtriding horses to the site and arranged with neighbors to bring other mounts to penetrate the closes shrubbery;MinniePearl, Stonewall Jackson, and Marijohn Wilkin.
The searching party was also swollen by dozens of other volunteershelmed by deejays, plus record company execs and station managers. Airportofficialssaid their last radio contact with Reeves was when he reported he had run into a heavy rain. Almost immediatelyafterwardsthe planedisappeared from the radar screen.
Police Issue Pleas
The crowds which thronged the roads leading to the general area of the crash even before the bodies had been found, were so huge that police issued several pleas by radio asking motorists to avoid the area so as not to hamper the search.
When found, the twisted steel of the engine and the splintered cabin indicated that the plane had hit the ground with great impact and that its occupants apparently had died instantly.
Reeves and Manuel were returning from Arkansas where they had been negotiating a real estate transaction.
As word spread of the finding of the bodies, calls and telegrams bearing condolences began arriving from all parts of the world. As the trade well knows, Reeves was one of those performerswhosuccessfully bridged the gap between country and pop.
“As far as I know myself, I haven’t changed style at all,” Reeves said recently. “I’m doing exactly the same thing I did seven or eight years ago. I sing ballads and I don’t know whether you can put them in any particular category.”
Records, TV, Movies
Themulti faceted Reeves found expression in other ways. Starting as a recording star, he moved to TV, to personal appearances and to the movies. Only last year he starred in a movie, “Kimberly Jim,” made in South Africa, and had entered negotiations for a second movie later this year.
As a recording artist, Reeves remains in the very top rank. Currently on national charts are three, big Reeves records – a single, “I Guess I’m Crazy,”and two albums, “Moonlight and Roses” and “The Best of JimReeves.”At onetime Reeves had his own ABC network radio program, the Jim Reeves Show. In 1959, he was a summer replacement for Red Foley on the Ozark Jubilee.
Started As Youth
Reeves was born in Panola County, Texas, and acquired a broken down guitar at the age of 10 in exchange for a basket of pears. Entering the University of Texas, Reeves became a top pitcher on the University baseball team which led to his being signed with the St. Louis Cardinals farm system. A leg injury,however, endedhis baseball career and he turned to his guitar and a musical vocation.
Reeves’ first big record came in1953when herecorded “Mexican Joe” on the Fabor label and sales soared to over 1,000,000. This in turn led to hisbeingsignedbySteve Sholes to an RCA-Victor contract in March, 1955. Under the deal, RCA bought all of Reeves’ masters from Fabor Robinson of Fabor Records which insures the entire recording career of Jim Reeves on RCA-Victor. END
Joint Services Held
MUSIC BUSINESS — (08/15/1964) — Joint memorial services for both Jim Reeves and Dean Manuel, killed in an airplane crash in Nashville last weekend, were held at 2 p.m. Tuesday (August 4) at the Phillips-Robinson Funeral Home here (Nashville). Reeves was buried the following day at Carthage, Texas; and Manuel was buried also the next day in Springhill Cemetery, Nashville.
The families of both Reeves and Manuel requested that, instead of sending flowers, friends make gifts to charities.
Reeves is survived by his widow, Mary; his mother, Mrs. Beulah Reeves of De Berry, Texas; two brothers. Buford Reeves of Dallas, Texas; and Manuel leaves his widow, Barbara (Bobbie); two daughters, Brenda and Laura Manuel; parents, Mr. and Mrs. D.D. Manuel of Planada, Calif.; a sister, Mrs. Laura Silva of Merced, Calif. and a brother, Orion Manuel of San Francisco. END
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Information, credit and news source: Music Business; August 15, 1964
Debuted #85 week-ending December 7, 1963, “Outer Limits” peaks at #3 on the Hot 100, week-ending, February 1, 1964. Fourteen weeks overall and its final week on Billboard, the single drops at #39 for the week-ending, March 7, 1964.