From the MCRFB NEWS archive: 1963
Something For The Girls: Trending Hot 100 Throughout ’63
NEW YORK — Female artists are making their strongest impression on the Hot 100 single chart in many months, with four of the current top seven records involving feminine performers. Particularly interesting is the fact that nine of this current crop of acts present on the chart are there for the first time.
It is true, of course, that the girls have been making a strong comeback for several years, but that area of the pop scene seems now to have taken on even more vitality. In the late 1950’s era of the hard rock, girl artists virtually disappeared from any kind of contention. with the exception of a very few, like Connie Francis, who seemed to be able to buck the trend consistently.
Girl artists then began making a renewed dent on the charts as supporting background singers, a practice which is still very’ much in effect. But the backgrounding led to feature efforts by girl groups. The Cookies, on Dimension Records, and the Crystals on the Philles label, are examples of groups who started their careers in supporting roles, only to become lead attractions themselves.
Strongest in Years
Eventually, with the emergence of the so-called Philadelphia and Detroit sounds, as evidenced by such groups as the Marvelettes and the Orlons (composed of basically a female sound of three girls and one male) the femme contingent assumed its strongest position in the chart derby in many years.
One strong indication of this is the fact that of 20 records that have hit the No. 1 Hot 1oo spot so far this year, 11 — more than half — involve girls either as part of a mixed vocal group or by themselves, without male vocal companions. In several of these, namely Ruby and the Romantics and the Essex, a girl is the key performer with the males limited to a supporting backup group role.
Hot Entries
Soeur Sourire, the Singing Nun from Belgium, is just the latest example of the current trend. The Sister’s record of “Dominique” has been a smash. Immediately prior to her arrival at the top, with a simple, sweet performance far removed, incidentally, from the Philadelphia- Detroit sound, two mixed duos, April Stevens and Nino Tempo, and Dale and Grace made the top spot.
Currently in the top seven are the same Dale and Grace (“l’m Leaving It Up to You “) as runner-up of the week; Lesley Gore (“She’s a Fool “), No. 5; and a new British girl duo in their first excursion on the charts, the Caravelles, with “You Don’t Have To Be a Baby To Cry,” in the seventh spot. The brother and sister act of Nino Tempo and April Stevens, after a week in the top position, held on this week at No. 11.
Another act new to the charts is the Dixiebelles on the Nashville-based Sound Stage 7 label, with “Down at Papa Joe’s.” Among the other new femme acts showing well and all but one of which are moving upward, are the Murmaids with “Popsicles And Icicles” on Chattahoochee; Shirley Ellis with “The Nitty Gritty” on Congress; the Secrets on Philips with “The Boy Next Door “; Betty Everett on Vee Jay with “You’re No Good”; “Dumb Head,” by Ginny Arnell on MOM, and “Hey Lover,” by Debby Dovale on Roulette.
Gals Make It
And the girls are making the hits today, not with a single type of styling. The range is broad and includes a raft of material ranging from “Dominique,” to Joan Baez’ “We Shall Overcome,” to Lena Horne with her biting “Now,” to the frank statement of teen-age fact, “I Have A Boyfriend,” by the Chiffons on the Laurie label. END
(Information and news source: Billboard; December 7, 1963).
