MUSIC BUSINESS: JIM REEVE’S DEATH STUNS NASHVILLE . . . AUGUST 15, 1964

Jim Reeves, Nashville Country Star, Was 40

 


 

MUSIC BUSINESS — (08/15/1964) Music City was shocked and stunned and joined its grief with much of the rest of the world over the tragic deaths here of world-famous country music singer Jim Reeves and his piano player-road manager, Dean Manuel, when their private plane crashed during a thunderstorm late Friday (July 31) afternoon.

RCA artist Jim Reeves

The crash occurred in a densely-wooded area a few miles south of Nashville and only five miles from their airport destination. The body of Reeves, identified by his billfold, was found some 20 feet from the crash site but that of Manuel was still in the plane’s cabin. Eddy Arnold, national country music star, was on the scene with State Highway Inspector J. J. Jackson. There was only slight evidence of fire and death is presumed to have resulted instantly from the violent impact of the plane with the surrounding wooded terrain.

Massive Search

Although the crash occurred late Friday afternoon, the plane’s wreckage was not found until Sunday morning despite a massive search over a 20 square mile area by a small army of volunteers including many of the victims’ Grand Ole Opry colleagues. They were aided by civil defense teams, Tennessee National Guard helicopters and private planes. The heavy shrubbery, however, prevented the wreckage’s beings potted from the air and not until civil defense workers had combed the area on foot was the plane’s debris discovered.

The area covered by the search is one in which many Grand Ole Opry stars in recent years have built sumptuous homes with extensive acre-ages. Among the nearby residents are such Opry luminaries as Marty Robbins who reported to police that he had heard a plane’s engine sputtering and seemingly in trouble during the thunderstorm.

Also living nearby are Eddy Arnold who scoured the countryside in a jeep assisting in the hunt, Carl Smith who brought riding horses to the site and arranged with neighbors to bring other mounts to penetrate the closes shrubbery; Minnie Pearl, Stonewall Jackson, and Marijohn Wilkin.

The searching party was also swollen by dozens of other volunteers helmed by deejays, plus record company execs and station managers. Airport officials said their last radio contact with Reeves was when he reported he had run into a heavy rain. Almost immediately afterwards the plane disappeared from the radar screen.

JIM REEVES PLANE CRASH — Rescue workers, along with country music singer Eddie Arnold (center, checkered shirt) probe the wreckage of a light plane here [8/2], object of an intensive search by hundreds of men the past two days. Country Music singer Jim Reeves and piano player Dean Manuel were killed in this crash 7/31 in a blinding rainstorm. The wreckage was spotted today [8/2] only a few hundred feet from a home in a thickly wooded area. (Credit and photo caption: Getty/Bettmann)

Police Issue Pleas

The crowds which thronged the roads leading to the general area of the crash even before the bodies had been found, were so huge that police issued several pleas by radio asking motorists to avoid the area so as not to hamper the search.

When found, the twisted steel of the engine and the splintered cabin indicated that the plane had hit the ground with great impact and that its occupants apparently had died instantly.

Reeves and Manuel were returning from Arkansas where they had been negotiating a real estate transaction.

As word spread of the finding of the bodies, calls and telegrams bearing condolences began arriving from all parts of the world. As the trade well knows, Reeves was one of those performers who successfully bridged the gap between country and pop.

“As far as I know myself, I haven’t changed style at all,” Reeves said recently. “I’m doing exactly the same thing I did seven or eight years ago. I sing ballads and I don’t know whether you can put them in any particular category.”

Records, TV, Movies 

MUSIC BUSINESS August 15, 1964

The multi faceted Reeves found expression in other ways. Starting as a recording star, he moved to TV, to personal appearances and to the movies. Only last year he starred in a movie, “Kimberly Jim,” made in South Africa, and had entered negotiations for a second movie later this year.

As a recording artist, Reeves remains in the very top rank. Currently on national charts are three, big Reeves records – a single, “I Guess I’m Crazy,”and two albums, “Moonlight and Roses” and “The Best of Jim Reeves.” At one time Reeves had his own ABC network radio program, the Jim Reeves Show. In 1959, he was a summer replacement for Red Foley on the Ozark Jubilee.

Started As Youth

Reeves was born in Panola County, Texas, and acquired a broken down guitar at the age of 10 in exchange for a basket of pears. Entering the University of Texas, Reeves became a top pitcher on the University baseball team which led to his being signed with the St. Louis Cardinals farm system. A leg injury, however, ended his baseball career and he turned to his guitar and a musical vocation.

Reeves’ first big record came in 1953 when he recorded “Mexican Joe” on the Fabor label and sales soared to over 1,000,000. This in turn led to his being signed by Steve Sholes to an RCA-Victor contract in March, 1955. Under the deal, RCA bought all of Reeves’ masters from Fabor Robinson of Fabor Records which insures the entire recording career of Jim Reeves on RCA-Victor. END

Joint Services Held

Phillips-Robinson Funeral Home August 4, 1964

MUSIC BUSINESS — (08/15/1964) — Joint memorial services for both Jim Reeves and Dean Manuel, killed in an airplane crash in Nashville last weekend, were held at 2 p.m. Tuesday (August 4) at the Phillips-Robinson Funeral Home here (Nashville). Reeves was buried the following day at Carthage, Texas; and Manuel was buried also the next day in Springhill Cemetery, Nashville.

The families of both Reeves and Manuel requested that, instead of sending flowers, friends make gifts to charities.

Reeves is survived by his widow, Mary; his mother, Mrs. Beulah Reeves of De Berry, Texas; two brothers. Buford Reeves of Dallas, Texas; and Manuel leaves his widow, Barbara (Bobbie); two daughters, Brenda and Laura Manuel; parents, Mr. and Mrs. D.D. Manuel of Planada, Calif.; a sister, Mrs. Laura Silva of Merced, Calif. and a brother, Orion Manuel of San Francisco. END

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Information, credit and news source: Music Business; August 15, 1964

 

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TALKIN’ ‘BOUT MY GENERATION: TOP SINGLES OF 1964!

— THE MARKETTS —

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Debuted #85 week-ending December 7, 1963, “Outer Limits” peaks at #3 on the Hot 100, week-ending, February 1, 1964. Fourteen weeks overall and its final week on Billboard, the single drops at #39 for the week-ending, March 7, 1964.

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Source: Billboard Hot 100 Pop Singles

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TALKIN’ ‘BOUT MY GENERATION: TOP SINGLES OF 1964!

— JACK JONES —

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Debuted #82 week-ending November 2, 1963, “Wives And Lovers” peaks at #14 on the Hot 100, week-ending, January 11, 1964. Fourteen weeks overall and its final week on Billboard, the single drops at #32 for the week-ending, February 1, 1964.

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Source: Billboard Hot 100 Pop Singles

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THIS WEEK IN AMERICA! BILLBOARD HOT 100: AUGUST 13, 1966

BILLBOARD HOT 100 (week-ending) August 13, 1966

NUMBER ONE SINGLE IN AMERICA

 “SUMMER IN THE CITY” | THE LOVIN’ SPOONFUL | KAMA SUTRA

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BILLBOARD HOT 100 TABULATED BY RECORDS RETAIL SALES AND RADIO AIRPLAY

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August 7 through August 13, 1966

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“Summer In The City” by The Lovin’ Spoonful debuted on the Billboard single charts at #53, for the week ending, July 23, 1966. The single by the Greenwich Village band would make its eventual climb to its three-week stay at the top — its fifth week on the charts — week-ending August 13 through week-ending August 27, 1966.

Twelve weeks overall on the pop single charts, “Summer In The City” dropped to #37 on its last week on Billboard, week-ending September 24, 1966.

 

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WXYZ RADIO: A RADIO 1270 NEWS PRINT AD! JANUARY 1964

DETROIT FREE PRESS January 30, 1964

THURSDAY, JANUARY 30, 1964

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Above article/ad courtesy freep.com newspaper archive. Copyright 2021. Newspapers.com

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The above featured WXYZ ad was digitally re-imaged by Motor City Radio Flashbacks

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A DETROIT RADIO BACK-PAGE AD

Missed any of our previous ‘Detroit Radio Back-Pages‘ features? GO HERE

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MUSIC BUSINESS: NANCY WILSON SAYS, ‘IT TAKES MORE THAN SOUL’ . . . AUGUST 1, 1964

Rising Capitol Records Star Ascends to Big Time Club Circuits

 


 

 

MUSIC BUSINESS (8/1/1964) — Smash single. For five years “things have been moving cautiously for me,” said Nancy Wilson last week. The masterpiece of understatement came in the wake of the Capitol thrush’s first smash single (number 14 in the Pop 100 this week) and coverage in Time last week (and Newsweek this week) and a sensationally successful opening recently at Los Angeles’ venerable Coconut Grove.

“I went into the studio with the deliberate idea of cutting a top 40 kind of hit,” she said. “Actually though, I didn’t sing any differently than I ever do. It’s the material itself that did it and of course the arrangement. As far as my singing goes, I think it’s always been pop singing really.

People have labelled me as jazz. I don’t like that designation. I want to be able to reach everybody, not just the jazz crowd. And besides, who is to say what a jazz singer is anyway? If it’s scat singing, I don’t qualify, because I’ve never scatted, never!

Nancy Wilson 1962

Cannonball. “It’s true I once made an album with Cannonball (Adderly). Maybe that’s one reason I’ve gotten the label. And it’s a good reason why I wouldn’t really want to do that kind of thing again. Although I think Cannonball himself is great. I actually sang with his group for a stand back in my home town of Columbus, Ohio, six years ago.

“I’ve been singing for years. Since I was a kid in Columbus. I had my own TV show there when I was 15. Five years ago, I came to New York where I started doing night club work at places like the Blue Mirror in the Bronx. And later I played Mister Kelly’s in Chicago. But now things are different.

“I’m playing the biggest clubs, places like the Waldorf in New York (where she appeared earlier this year) the fancy places in Vegas and Reno, and right now the Coconut Grove in Los Angeles. I’m tired because there’s been no let-up at all. From one night club to another. And it’s work, real work.

“Now I have to really entertain. You can’t just get up there and be soulful in clubs like these. They expect a show and you’ve got to give them one. But this is something new and fresh and exciting for me. Even if I’m tired it it doesn’t get me bugged. As I say, my career has gone along nice and slow and I really think it’s better for an artist to grow that way.

No time at home. “The only trouble now is that things have gotten so good for me, so big, that I don’t have time at home at all. I love to be at home with my husband. I love to play with our little 17-month old son and cook and keep house but there’s so little time. I don’t have time for any leisure things like listening to records. Really. Just once in awhile when I do, I listen to Jesse Belvin (the late singer was on RCA Victor) and Shirley Horn. Shirley’s a very good new singer.

“After I’m through at the Coconut Grove, I’ve planned on a three week vacation. We all need it here. Then I’m taking the whole month of December off. I’d like to do that every year if I could. I’ve planned that month for a long time.

In the meantime, there are a lot of night club things to fill out the time between now and then. Broadway I’d love to do sometime. I suppose a musical, but first I’d like doing a straight drama, either on the stage or in a movie. No, there’s nothing really in prospect. They haven’t come to me to show me any kind of script. But when it comes along, I’ll think about it carefully before I jump. I always go slowly and hope I’ll make the right decision.

Capitol Records’ Nancy Wilson

Final decision.“It’s the same way I work with my records. I work closely with my a. and r. man, Dave Cavanaugh, but I decide on every song myself. They can recommend but I make the final decision, whether its albums or top 40 singles. And I certainly do intend to continue making singles for the top 40 market, even though I don’t see anything different because I have a hit. I think it was all just happening before that single came out. It’s the icing on the cake or the extra gravy or whatever you want to call it. It’s just part of a total picture that makes anybody a more complete entertainer.”

Meanwhile, Miss Wilson’s continues to be a familiar name in the album charts. Her latest “Today, Tomorrow and Forever,” which brought Time’s comment “a voice of agile grace and knowing jazz inflection,” is in the 11 spot this week. An earlier performance, ‘Yesterday’s Love Songs, Today’s Blues,’ is rated at 55 this week. Fans can also look forward to seeing Nancy on at least a couple of major network TV showcases this fall (“I haven’t seen the contracts yet, but I’m sure I’ll do them”) before she takes her promised month off. END

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Information, credit and news source: Music Business; August 1, 1964

Nancy Wilson circa 1961

 

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A BIG 8 RADIO SOUVENIR EDITION: THE CKLW TOP 100 of 1969

BIG 8 RADIO CKLW Top 100 of 1969 (1.)

BIG 8 RADIO CKLW Top 100 of 1969 (2.)

BIG 8 RADIO CKLW Top 100 of 1969 (3.)

BIG 8 RADIO CKLW Top 100 of 1969 (4.)

BIG8RADIO.COM | BROADCASTING DATE: JULY 3-4 2021

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The Top 100 has been compiled from the weekly CKLW weekly Big 30 charts of 1969. The listing reflects total record sales, requests, highest chart positions and number of weeks on the charts.

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SPECIAL ACKNOWLEDGEMENT

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NEW! A special THANK YOU to Charlie O’Brien for contributing this featured 2021 Special Edition (brochure) of the ‘CKLW Top 100 of 1969’ with Motor City Radio Flashbacks.

NOTE: Missed the ‘CKLW Top 100 of 1969’ broadcast? You can listen to the program in its entirety HERE.

ALSO: For a free downloadable version of the CKLW Top 100 of 1969 chart featured today on this page, please go HERE.

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BIG 8 RADIO CKLW Top 100 of 1969 (5.)

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A BIG 8 RADIO PRESENTATION: THE CKLW TOP 100 of 1969!

A BIG 8 RADIO PRESENTATION

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The year 1969 was the year CKLW did not present their annual Top 100 or Top 80 year-end countdown. Instead, the Big 8 opted for the Top 100 Hits of the 1960s — closing out the decade — as CKLW prepared to usher in the 1970s.

On July 3-4 — for the first time ever —  host Charlie O’Brien and Big 8 Radio presented the hits of 1969 as was heard on CKLW throughout that memorable year. Beginning with song 100, all the way to the number one song on top.

And now, you can listen to the entire 6 hour countdown — on demand — anytime here on Motor City Radio Flashbacks, courtesy of our friend, Charlie O’.

The featured program began on Saturday, July 3 at 4 p.m., and was rebroadcast on Sunday, July 4 at 12 noon. Another exclusive presentation by Charlie O’Brien and big8radio.com.

The ‘Top 100 of 1969’ playlist was tabulated from the weekly CKLW Top 30 Records charts from 1969 and was researched by noted CKLW historian Dave Kelly.

So here you have it. In its entirety. Enjoy the countdown! 🙂

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NOTE: On Monday, August 2, look for the special, Big 8 Radio’s own (five page) CKLW ‘Countdown Top 100 of 1969’ playlist/brochure on this site.

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SPECIAL ACKNOWLEDGEMENT

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NEW! A special THANK YOU to Charlie O’Brien for contributing the featured CKLW Top 100 of 1969 broadcast with Motor City Radio Flashbacks

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THIS WEEK IN AMERICA! BILLBOARD HOT 100: AUGUST 1, 1964

BILLBOARD HOT 100 (week-ending) August 1, 1964

NUMBER ONE SINGLE IN AMERICA

 “A HARD DAY’S NIGHT” | THE BEATLES |  CAPITOL 5222

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BILLBOARD HOT 100 TABULATED BY RECORDS RETAIL SALES AND RADIO AIRPLAY

https://mcrfb.com/wp-content/uploads/2016/04/BILLBOARD-Hot-100-mcrfb2-Banner.png

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JULY 26 through AUGUST 8, 1964

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“A Hard Day’s Night” by The Beatles debuted on the Billboard singles chart at #21, for the week ending, July 18, 1964. The Fab Four’s single would make its eventual climb to the top — on its third week on the charts — week-ending August 1 through week-ending August 8, 1964.

Thirteen weeks overall on the pop singles chart, “A Hard Day’s Night” dropped to #50 on its last week on Billboard, week-ending October 10, 1964.

 

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