THE DETROIT SOUND SURVEY: THIS WEEK! JUNE 13, 1966

WXYZ DETROIT SOUND SURVEY June 13, 1966

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NUMBER ONE! WXYZ

“SUNNY” | BOBBY HEBB | PHILLIPS

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This list is selected each week by WXYZ Radio from reports of record sales gathered from leading record outlets in the Detroit area and other sources available to WXYZ

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Previewed for the week of June 13-June 19, 1966

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THE JIM HEDDLE COLLECTION

This WXYZ chart was digitally restored by Motor City Radio Flashbacks

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HARWELL. THE VOICE OF SUMMER’S PAST REMEMBERED

ERNIE HARWELL | Harwell’s Last Interview | OCTOBER 2009

Ernie Harwell October 2009

Ernie Harwell with Bob Costas

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In October 2009, Ernie Harwell was guest star on MLB Network’s Studio 42 with Bob Costas. This featured interview was taped during the 2009 World Series, New York Yankees vs Philadelphia Phillies.

The broadcast was later televised on the MLB Network in November 2009. The program, ultimately, would be Harwell’s last known appearance on national television before he succumbed to cancer on May 4, 2010.

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DICK SMYTH: OFFICIAL CKLW/RKO NEWS MANUAL (PRE-DRAKE) 1967

CKLW (Dick Smyth) News Policy 1967 (A)

CKLW (Dick Smyth) News Policy 1967 (B)

CKLW (Dick Smyth) News Policy 1967 (C)

CKLW (Dick Smyth) News Policy 1967 (D)

CKLW (Dick Smyth) News Policy 1967 (E)

CKLW NEWS 1967 MANUAL

DICK SMYTH

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EXCERPT FROM RKO POLICY ON NEWS PROGRAMS:

  • The reporting of news must be accurate and fair.
  • Sponsors may not select or edit  items in news programs.
  • News concerning political campaigns should be handled with careful impartiality. Although Section 315 of the Federal Communications Act exempts certain appearances of legally qualified candidates on bona fide newscasts, bona fide news interviews, etc., from the equal opportunity requirements of that section, care shall be exercised whenever such exemption is relied upon by the station that the station affords a reasonable opportunity for a discussion of conflicting views on issues of public importance.
  • News programs should not be deceptively used for the promotion of any business interests, securities and investments, comment on pending litigation, etc., in the guise of news.

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A SPECIAL ACKNOWLEDGEMENT

A special THANK YOU to Big Jim Edwards (Jim Davis) for providing the above 1967 CKLW News Manual with Motor City Radio Flashbacks.

Jim Davis inserted this thought as well:

“This is the news manual which Dick Smyth wrote just prior to CKLW becoming a Drake station in early 1967. Notice also that the Xerox logo was embedded in each page. This was the early days of photocopying, quite obviously. 🙂

 

Dick Smyth passed away on March 6, 2021. He was 86.

 

A MCRFB VIEWING TIP

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A FINAL NOTE: On the last page (5E) notice Smyth’s news directive numbered 64. As CKLW legend would have it, this one paragraph was pretty much tossed out the window by the CKLW news department in the early 1970s.

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COUNTRY WCXI AND AOR WRIF ARE BIG WINNERS IN MOTOR CITY . . . . FEBRUARY 2, 1980

Both AOR and Country Stations Draws Extreme Ratings Share in Motor City

 

 


 

DETROIT — The two big winners in this market in the October /November Arbitron ratings are country-formatted WCXI-AM and AOR outlet WRIF-FM.

The country Golden West station is benefiting from the fact that WDEE-AM abandoned the format early this year, leaving a clear field for WCXI. WDEE is now known as WCZY and plays beautiful music.

Although the Golden West chain is owned by Gene Autry, this is the first station of the chain that has moved into the country format. Program director Bill Ford is making the most of the situation and includes a number of old Autry records in the format. The DJs make frequent remarks about playing records made by the “boss.”

WCXI Deano Day

WCXI switched from a contemporary format in February, but it was not until this latest Arbitron book that the ratings substantially improved. The station climbed from a 2.0 share in the July /August book to a current 5.6.

Morning man Deano Day, who was hired from WDEE climbed in ratings from a 1.8 to a 6.3. R.T. Griffin, who has been in country radio for 20 years climbed from 2.6 to 7.1.

Ford says the station’s success is due to attention to country music’s roots. “Too many programmers cut off their library at 1965.” Ford says. He also has increased visibility of the station by having the DJs make 400 local public appearances in the past 10 months.

The ‘Riff

Over at ABC’s WRIF-FM program director Tom Bender has achieved an overall growth in share from 4.8 to 6.3 by playing “a purer form of AOR (album-oriented rock). We play many more new wave acts and have purged the Top 40 crossover acts such as Cat Stevens, Paul Simon and Al Stewart,” he says.

Bender explains, “Detroit is more hard rock-oriented than either coast. For example Jimi Hendrix is more important here.

Bender has also assembled a lineup of the market’s top rock DJs. He hired WWWW-FM’s morning team Jim Johnson and George Beier just before the rating period. As a result Johnson and Buyer delivered a 6.0 share in morning drive up from 3.9 in July /August while the Burkhart /Abrams Super Star W-4 fell from 4.0 to 3.2.

WRIF Karen Savelly

Bender also hired Karen Savelly away from WABX-FM and installed her in the 6 to 10 p.m. slot. The station’s share in that time period climbed from 6.0 to 10.0. Bender wooed CBS promotion man Ken Calvert back into radio and placed him in the midday period. Calvert registered a 6.8, up from 5.0.

Some of Bender’s success, as seen by the competition, is the result of an Arbitron book that does not favor adult radio. “It’s just not a good book for adult radio,” says CKLW-AM program director Bill Gable.

Gable’s formerly rocking outlet that now is adult contemporary beams a signal into Detroit from nearby Windsor, Ont. Gable points out that the latest Arbitron is the first to use Extended Sample Frame in this market. The audience measurement system has been in use in larger markets for more than a year.

It is a method to include listeners without listed phones in the survey. Some critics claim this. technology skews Arbitron’s figures to a younger and often non-white listenership. Most unlisted numbers are not held by up-scale people who pay to be unlisted, but by lower income people who move so much they just get left out of the phone book.

CKLW fell from a 5.5 share in the summer and a year ago to 4.4. The old-line MOR (middle of road) giant in the market, WJR-AM also had a bad book. The station fell from 14.1 to 10.0 overall and in the 7 p.m. to midnight slot from 22.6 to 5.0, a reflection that Detroit Tigers play-by-play added a substantial summer audience.

WJR program director Jim Long says the new numbers have forced him to take a hard look at what the station is doing. One thing he did was to hire Jim Davis away from WOMC-FM to be afternoon drive man. Davis registered a 6.6, down from a summer rating of 10.2 when Marc Avery was in that slot.

Avery was deemed to have “too old an image” to continue on WJR, so he was snapped up by WOMC program director Dave Shafer, who installed him in morning drive on the Metromedia MOR outlet.

Avery delivered a 4.3 share, up from the 3.1 the station had in the summer. Shafer also hired Tom Dean, who has been at ABC’s WXYZ-AM and WDEE, at the start of the rating period to handle afternoon drive. Dean came through with a 5.0 share, up from a summer’s share of 3.1.

Shafer also hired Steve Peck from WABX to be music director so that Jim Scollin can put down that second hat and concentrate on his mid-day jock duties.

WNIC-FM’s adult contemporary format held its own overall with a 3.5 share in both the summer and fall books, but morning drive climbed from 2.3 and 3.3 reflecting a new morning drive team of program director Jim Harper and Jerry St. James. END

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Information credit and news source: Billboard; February 2, 1980

 

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CLAY MASTER GOES TO MOTOWN . . . . JUNE 12,1971

Former Detroit Radio DJ Tom Clay Finds Home For Disk on West Coast Motown Label

 

 


 

TOM CLAY 1971 (Photo credit: Bonnie Dater Jay)

LOS ANGELES Tom Clay, veteran radio personality now freelancing in this area, this week turned over his produced master, “Tom Clay’s What the World Needs Now‘,” to Motown Records (MoWest), with Dick Sherman, West Coast sales director for the firm, promising Clay free records so Clay could satisfy a previously-made deal with listeners, who wrote in for free copies. Clay said that he had 17 thousand written requests for freebies disks, when he withdrew the offer June 1.

Clay prepared for his two-week vacation-fill slot over KGBS, local radio station here, by doing an eight -minute production, which he felt expressed his philosophy on the contemporary world situation. The recorded production in- interwove music and news events in Clay’s narration with special emphasis on Martin Luther King, Bobby Kennedy, and John F. Kennedy.

Clay played the record production once on his first day at KGBS on May 22. He was off Sunday but when he returned on May 24, disk jockeys who had been on KGBS over the weekend told him of repeated requests. The deal is one of the label’s rare master purchases.

Dave Bell, Motown West Coast A&R chief, went into the studio June 1 and re-cut the entire production, cutting the time from over 8 minutes to 6 minutes and 20 seconds. Motown is rushing the record for national release.

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Information credit and news source: Billboard; June 12, 1971

 

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TOM SHANNON. A CKLW REMEMBRANCE. JANUARY 17, 1977

Tom Shannon Remembered on Motor City Radio Flashbacks

CKLW | DATE: MONDAY, JANUARY 17, 1977

In Memory of Tom Shannon

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CKLW Tom Shannon Detroit Free Press, January 20, 1980

He was a Detroit radio and television broadcasting legend. His voice was heard for over four decades on numerous great Detroit radio stations, such as CKLW, WJBK, WXYZ, WCAR, WMJC, WTWR, CKMR, and WCXI. Tom once had said that he did (to paraphrase his exact words), “three ‘tours of duty’ at CKLW. In the ’60s, ’70s, and in the ’80s.”

He formally began his illustrious radio career as a news person, while in his teens, in Buffalo in 1955. He left Buffalo’s WKBW for CKLW in Windsor in December 1964, replacing Terry Knight.

After 50 years in radio (and television) and having been in multiple radio markets around the country, Tom Shannon retired from broadcasting radio in 2005. Tom’s last DJ stint was on WHTT-FM, Buffalo. He was 67 at the time.

Surrounded by his loving family, Tom Shannon died of pancreatic cancer while in hospice care, Wednesday, May 26, 2021. He was 82.

Tom Shannon is a member of the Buffalo Broadcasting Hall of Fame and Buffalo Music Hall of Fame.

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— Tom Shannon Remembered —

See: Susan Whitall’s published Detroit News article on Tom Shannon (May 27, 2021) GO HERE

Also: Tommy Shannon, Legendary Buffalo Broadcaster, Dies at 82 (The Buffalo News; May 27, 2021) GO HERE

Also: DJ Tom Shannon’s Cause of Death Relates to Long-Time Illness (US Day News; May 29, 2021) GO HERE

Also: A 1961 WKBW Tom Shannon aircheck (5 min.) from the Buffalo Broadcasters Association website, listen HERE

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— In Remembrance —

In observance of his passing last week, Wednesday, May 26, 2021, Motor City Radio Flashbacks will present three CKLW and one WMJC Tom Shannon audio memory beginning (Wednesday) June 2, (Thursday) June 3, (Friday) June 4, and (Saturday) June 5.

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Motor City Radio Flashbacks Remembers

The featured CKLW Tom Shannon aircheck was audio enhanced by Motor City Radio Flashbacks

 

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TOM SHANNON. A CKLW REMEMBRANCE. NOVEMBER 17, 1967

Tom Shannon Remembered on Motor City Radio Flashbacks

CKLW | DATE: SUNDAY, NOVEMBER 17, 1967

In Memory of Tom Shannon

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Tom Shannon on CKLW, 1979 (click image 2x for largest view)

He was a Detroit radio and television broadcasting legend. His voice was heard for over four decades on numerous great Detroit radio stations, such as CKLW, WJBK, WXYZ, WCAR, WMJC, WTWR, CKMR, and WCXI. Tom once had said that he did (to paraphrase his exact words), “three ‘tours of duty’ at CKLW. In the ’60s, ’70s, and in the ’80s.”

He formally began his illustrious radio career as a news person, while in his teens, in Buffalo in 1955. He left Buffalo’s WKBW for CKLW in Windsor in December 1964, replacing Terry Knight.

After 50 years in radio (and television) and having been in multiple radio markets around the country, Tom Shannon retired from broadcasting radio in 2005. Tom’s last DJ stint was on WHTT-FM, Buffalo. He was 67 at the time.

Surrounded by his loving family, Tom Shannon died of pancreatic cancer while in hospice care, Wednesday, May 26, 2021. He was 82.

Tom Shannon is a member of the Buffalo Broadcasting Hall of Fame and Buffalo Music Hall of Fame.

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— Tom Shannon Remembered —

See: Susan Whitall’s published Detroit News article on Tom Shannon (May 27, 2021) GO HERE

Also: Tommy Shannon, Legendary Buffalo Broadcaster, Dies at 82 (The Buffalo News; May 27, 2021) GO HERE

Also: DJ Tom Shannon’s Cause of Death Relates to Long-Time Illness (US Day News; May 29, 2021) GO HERE

Also: A 1961 WKBW Tom Shannon aircheck (5 min.) from the Buffalo Broadcasters Association website, listen HERE

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— In Remembrance —

In observance of his passing one week ago, May 26, 2021, Motor City Radio Flashbacks will present three CKLW and one WMJC Tom Shannon audio memory in the next four days, beginning (Wednesday) June 2, (Thursday) June 3, (Friday) June 4, and (Saturday) June 5.

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Motor City Radio Flashbacks Remembers

The featured CKLW Tom Shannon aircheck was audio enhanced by Motor City Radio Flashbacks

 

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THE PAMS ‘CLYDE’ PRODUCTION ’70s SERIES: WKNR 1310

WKNR ‘PAMS’ Jingles HEARD on MOTOR CITY RADIO FLASHBACKS

 WKNR-AM | “CLYDE” | 1970-1971

PAMS PRODUCTIONS, DALLAS, TX

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According to renown master jinglecologist Ken R., by 1970, WKNR had returned to a male-voiced custom package from PAMS which originally was titled “Sig Alert.”  Accordingly, the package had been dubiously named after a traffic reporter in Los Angeles. The title of the package was later changed to “Clyde.” PAMS later told Ken R. the name was given because they didn’t come up a specific title for the (WKNR) package at the time. Adding as well, according to the keener.com webpage (see: Jingles) . . . . “Jonathan Wolfert, who went on to found JAM Creative Productions, made up some words to justify the title: “contemporary logos you don’t expect.” But listeners didn’t know that and PAMS never made it public.”

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The featured PAMS WKNR jingle package was audio enhanced by Motor City Radio Flashbacks

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Licensed by PAMS, Dallas, this PAMS jingles package was made available (in the early 2000s) by Ken R Productions, Toledo, Ohio.

 

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GARY KING LEAVES KXOK FOR WCZY DETROIT POST . . . . OCTOBER 8, 1983

Former KXOK PD Transitions Here As New WCZY Mid-Afternoon Personality, Music Director

 

 


 

DETROIT — “There wasn’t a whole lot of decision making to be done,” admits KXOK St. Louis PD Gary King about the announcement of his move to Gannett’s WCZY here, where he’ll do mid-days and serve as the AC station’s music director. “It was an opportunity to work with Lee (Douglas, station manager of WCZY and former KXOK GM) again and the most exciting company in broadcasting today.”

King, who sees his future in the eventual ownership of a chain of properties, started out at Louisville’s WAKY and then moved to Baton Rouge’s WJBO /WFMF, where he was operations director prior to his move to St. Louis a year ago. Coming on board as acting PD and afternoon drive talent at KXOK, his title was not made official until this August. At that time, the Storz station had already transitioned primarily to talk, and King was doing mornings.

That shift will now be held by former midday man Charlie Brown, who, without the title, will be handling King’s PD chores. Afternoons, which were vacated last month by Pat Riley (Billboard, Oct. 1), are now being done by longtime KXOK per- sonality Johnny Rabbit, using his own name, Ron Elz, as the station continues to move in an all-talk direction with 20-year veteran Nick Charles handling mid-days.

With the addition of King in mid-days at WCZY, the Detroit lineup now features Dick Purtan in mornings and former WCAO Baltimore personality Lou Roberts in afternoons. Former WCZY afternoon talent Marc Avery now does that shift on CKLW here, while Dave Prince moves into the ‘CZY evening shift.  END

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Information credit and news source: Billboard; October 8, 1983

 

 

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