Category: MCRFB Soul ’60s Generation

THE ESSENCE OF ‘SOUL’ 60S GENERATION: ’65 DEFINED!

EDWIN STARR * 1965

— BILLBOARD: Peaked #21 October 2, 1965 —

 A MCRFB Note: When Ric-Tic Records first released “Agent Double-O-Soul” in Detroit in the fall of 1965, many thought this was another Motown single. While it was not — in a sense — it was.

Notice the distinct Motown sound.  At time not obligated nor legally bound solely to Gordy’s Motown stable, the Funk Brothers, the likes of James Jamerson (bassist), Benny “Papa Zita” Benjamin (drummer) Robert White (guitarist), et al, would “moonlight” their talents inside the recording studios of Golden World and Ric-Tic Records.

Hence, outside the boundaries that was confined Hitsville, U.S.A., that “Motown sound,” in essence, had been produced for this label’s Edwin Starr release. The Funk Brothers plied their trade as well, at several other independently-owned recording studios in the 1960s. Such as D-Back Records and the Detroit United Sound Studio.  

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THE ESSENCE OF ‘SOUL’ 60S GENERATION: ’66 DEFINED!

EDWIN STARR * 1966

— BILLBOARD: Peaked #48 March 26, 1966 —

A MCRFB Note: When Ric-Tic Records first released “Stop Her On Sight” in Detroit in early-1966, many thought this was another Motown single. While it was not — in a sense — it was.

Notice the distinct Motown sound.  At time not obligated nor legally bound solely to Gordy’s Motown stable, the Funk Brothers, the likes of James Jamerson (bassist), Benny “Papa Zita” Benjamin (drummer) Robert White (guitarist), et al, would “moonlight” their talents inside the recording studios of Golden World and Ric-Tic Records.

Hence, outside the boundaries that was confined Hitsville, U.S.A., that “Motown sound,” in essence, had been produced on this label’s Edwin Starr release. The Funk Brothers plied their trade as well, at several other independently-owned recording studios in the 1960s. Such as D-Back Records and the Detroit United Sound Studio.

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