This official Record Review survey was tabulated overall by each record’s popularity and its appeal, sales, listener requests and record airplays based on the judgement of WJBK Radio 1500. (1963)
The above WJBK chart was digitally restored by Motor City Radio Flashbacks
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Previewed for the week of November 15-21, 1963
— A SPECIAL ACKNOWLEDGEMENT —
THANK YOU
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A special THANKS to Ray Tessier, of Allen Park, MI., for recently contributing this 1963 WJBK survey chart with Motor City Radio Flashbacks. 🙂
ALBERT ANDRUS: Hard to fathom in today’s super high tech world. Looks like WordPress 5.0 hasn’t been a worthwhile upgrade. Should have come with a money back guarantee. 🙁
GENE R. KONSTANT: I am proud the program my dad started in 1930 is still on the air 90 years later . . . AND in a foreign language (Polish). Would love anything with his voice on it . . . Gene in Palm Desert @ aol . . . .
RODNEY BALLARD: I listened to Mike almost every evening on KOMA in Moore, OK. We often spoke on the phone. As I remembered it, we were talking on the phone one night when the station lost power. After getting back on the air, he said Rodney the Rodent chewed through the wires. And he often spoke with Rodney on his shows.
I almost went to Elkins DJ school because of J Michael Wilson. I hope he is doing well.
DIANE STEINBERG-LEWIS: It was so good to see the song George Clinton wrote for Funkadelics, “I’ll Bet You”, which was one of two versions he wrote and named after Martha Jean “The Queen’s” well known ending slogan, “I BETCHA“! He wrote two in case she didn’t like one or the other! Makes me laugh!
VICTOR LUTES: Jim Paolucci used to dodge past each other in those cramped little hallways at the former WMJC-95 FM/ WHND-Honey radio outlet around 1985. Did we ever work, Jim? Vic Lutes, Radio Personality
VICTOR LUTZ: Jerry St James used to be Jim’s radio morning partner in 1976, WDRQ. Then one day Jerry went to Chicago radio and the rest is Legendary Radio History, folks. Did this idiot voice, “Quedo”.
2020/10/23 at 11:55 pm
— ABOUT YOUR COMMENTS —
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With all due apology, as of this writing, it appears there will be no resolution at all to repair the WordPress 5.0 upgrade after having removed all of your comments — through a technical glitch after the new upgrade — off the pages of this website.
They are still added automatically to our comments section on the site — once approved they are all archived — just no longer visible as before, through no fault of our own, unfortunately.
For my previous comments having posted regarding the above GO HERE.
We appreciate and welcome your comments. Keep them coming. If all else, They will be read. For the moment, I will feature them in a separate post, every month.
Your comments for October 2020 are featured today on Motor City Radio Flashbacks.
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Thanks again . . . always enjoy hearing from each and everyone of you! 🙂
WDRQ-FM Top 22 singles for the week-ending November 4-10, 1975
The above WDRQ music chart was digitally restored by Motor City Radio Flashbacks
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— In MemoryofGeorge Griggs —
A SPECIAL THANK YOU
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A sincere, thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity and your continuous support.
Above WDRQ music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.
Above article is courtesy freep.com newspaper archive. Copyright 2020. Newspapers.com.
This featured Tom Dean article (by Howie Buten) was ‘clipped,’ saved, and was digitally imaged from the credited source by Motor City Radio Flashbacks
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Missed any of our previous ‘Detroit Radio Back-Pages‘ features?GO HERE.
DICK PURTAN WKNRaircheck date: TUESDAY, OCTOBER 25, 1966
— SPECIAL ACKNOWLEDGEMENT —
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NEW! A special THANK YOU to our website contributor, Peter Faulkner, of Calgary, Alberta, for recently donating this WKNR-AM radio aircheck (he personally recorded in 1966) with Motor City Radio Flashbacks.
SAN FRANCISCO — The music director at a top 40 station in a large city holds his job largely by continuing to demonstrate his ability to select the new records that eventually become hits. Every week, when he makes his top pick or discovery, he puts his reputation on the line.
It occasionally happens that even after his station has been playing his pick of the week once an hour for a week, none of the local stores can report any significant sales on it. Should such a thing happen with any degree of regularity. his boss will start looking for a new music director.
One annoying circumstance arises occasionally: a few weeks after a pick has been heavily played and yet has sold little or nothing in the market, it looms up in other cities and becomes a national hit. This is pretty frustrating. Why can’t the first station to spot a record’s potential break it for a hit?
BECAUSE, IN MOST CASES, the record isn’t in the stores. The dealers get customer calls but don’t have it. Sometimes they’ll try to order it from the distributor and find that he hasn’t stocked it. By the time it finally reaches its destination at the retailer point of sale, there may be no further demand for it. The station may have dropped it entirely, figuring that it was a bomb.
This kicks back at the station, too, in the form of listener displeasure. Those who have tried to buy the record, in the belief that it must be important, have their enthusiasm dampened when they find that it isn’t available in the stores. Their confidence in the station is shaken. It’s unfortunate all the way around. Everybody loses. Who gets blamed? Everybody.
The retailer should keep up with what is being picked for air play, and he should have the new items in stock. The distributor should have stock on the floor, ready to move it out to the stores at the first sign of action. The music director should make certain of the record’s immediate availability before he picks it. At least, that’s the way everyone involved tries to evade the responsibility by blaming someone else.
A closer liaison between the station and the distributor can avoid such situations. Some of the nation’s most successful music directors always check with the distributor before picking a record. When will stock he available? If the station goes on the record, will the distributor order it? Will he guarantee an initial allocation to key retailers?
IT HAPPENS OCCASIONALLY that two or three versions of a record will appear almost simultaneously. Which label gets the pick? It is not always the version with the better sound. It is often the version whose distributor is known to be alert and aggressive, and who can be depended upon to get it on the dealers’ shelves.
This doesn’t necessarily mean that the distributor must guarantee 100 per cent. It should be enough – and usually is – that he will back up the station’s confidence in his product by making it quickly available to the dealers if they need it.
Most important distributors follow this kind of a policy. It is hard to understand why all do not. It is a weakness more often encountered in factory owned or controlled branches, where stock is controlled by the national brass, who estimate which of their weekly releases are most likely to be in demand. In such cases, the decision of an important station to pick a left field possibility – something that is not considered by the bosses to be a top plug item – is occasionally ignored by the local branch manager.
Station music directors are becoming more discriminating with picks in relations to practical sales prospects in a local market. It is a trend that merits serious consideration by record people, in improving their co-ordination between promotion and sales. END
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Information and news source: Billboard; October 19, 1963
Many of the charted Billboard ‘Top 50’ R&B albums were also the most popular LP’s which were selected and featured on Detroit’s soul stations 1400WJLB and 1440 WCHB on the AM dial, November 1970.
The featured R&B Top 50 albums listing was the nation’s most popular R&B LP’s, as tabulated by Billboard, 50 years ago.
WEEK OF NOVEMBER 1-7, 1970
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Many of the above titled Billboard ‘Top 50’ R&B singles were also the most popular radio plays heard on Detroit’s soul stations 1400WJLB and 1440 WCHB on the AM dial, November 1970.
The featured R&B Top 50 hits list was the nation’s most popular R&B singles, as charted by Billboard, 50 years ago.
WEEK OF NOVEMBER 1-7, 1970
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