RECORD WORLD | ‘SOMETHING NEW’! CAPITOL RECORDS RELEASE BEATLES’ THIRD ALBUM, JULY 1964

The Record World ad was digitally restored by Motor City Radio Flashbacks.

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WKNR KEENER 13! SCOTTY REGEN, BACK ON THE RADIO: MAY 12, 1967

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NEW! A special THANK YOU to Mark Yurko, of Langhorne, PA., for his recent WKNR aircheck contribution for our Motor City Radio Flashbacks airchecks repository.

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Motor City Radio Flashbacks extends warm, birthday wishes to Scott Regen, b. July 23, 1941. Happy Birthday! We hope your one special day was truly fabulous. And thank you again, for those wonderful WKNR radio memories, when you were the #1 night-time radio deejay on the dial in Detroit in the mid-1960s. 🙂

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Newly restored! This audio recording was digitally remastered by Motor City Radio Flashbacks.

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WKNR, WJR HITS BIG PAY DIRT . . . . JULY 24, 1965

WKNR, WJR Hitting Pay Dirt in Detroit, Thanks to Two Air Personalities

 

 

DETROIT — Two deejays — one in the Top 40 field and the other from a ‘middle-of-the-road’ easy music station, are basically responsible for the tremendous success of radio stations WKNR and WJR here in influencing the sales of records…. and may be largely responsible for the success of their respective radio stations in reaching a large audience.

WJR station manager James H. Quello, said that his good music station was proud of J. P. McCarthy. “He’s the number one radio personality in town. Everybody knows him and he’s in good part responsible… a major factor… in influencing the sale of LP’s in Detroit.”

According to Billboard’s Radio Response Rating Survey last week of the Detroit radio market — ranked the country’s fifth radio market — McCarthy was rated No. 1 in influencing radio listeners to purchase popular LPs. The station was rated first in the same category, but what makes it a unique situation is that the station gained strength to capture the top position since a similar Billboard survey of May 16, 1964, had placed WJR in second-place behind WCAR.

And the reason, according to Quello, is the power of McCarthy. McCarthy had been with the station at one time, then left WJR in Detroit to work for another radio station in San Francisco. He returned back to Detroit since the last Billboard survey. He’s so effective that WJR placed him on mornings in their 6:30 a.m. to 9:00 a.m. time-frame, and he returns for the 3:15 p.m. to 6:00 p.m. drive time. “After all, this is the motor city of the world… a big car place,” Quello went on to say. McCarthy features mostly MOR records (middle of the road), Quello said, “but we’re programming more contemporary music now, anything short of rock and roll.”

In influencing the sale of popular LP recordings, the major stations, in order, are WJR, WCAR, WWJ, and WJBK. WJR and WCAR has most of the power; in fact, WJR’s McCarthy had 52 per cent of the total points in Billboard’s survey, followed by WCAR deejay Joe Bacarella with 36 per cent overall.

WJR, incidentally, tied for second-place with WWJ in influencing the sale of conservative type records, was No. 1 in influencing the sale of classical records, and showed up fairly well as a power in influencing the sale of folk records as well.

Both Gain

The top position in the sale of popular record singles was again captured by radio station WKNR and its popular disk-jockey, Bob Green. In fact, both station and deejay gained in strength. WKNR radio was rated at 33  per cent in May 16, 1964, but increased its influence to 44 per cent as of last week. Green increased two points to 30 per cent.

WKNR radio station manager Walter Patterson said the Top 40 station isn’t doing anything different, “but we are fortunate in accumulating listeners.” A recent Pulse study showed that the 24-hour Detroit station as reaching 292,900 separate households during a given day.

“We’re not cocky, but we watch our position closely and never let up,” Patterson said. While the station does believe in strong air-personalities, — “some are and some are not” — it also practices “playing more music and keeping talk to a minimum.” The station’s “sound” is very important,” Patterson said.

WKMH the former, now WKNR, featured a “middle-of-the-road” music format until November 1, 1963, when it went Top 40. “We’ve pulled the fastest turnaround of any station in the country,” Patterson said. “What’s happening is the more we go, the more we get.” The station plays the top 31 records and distributes 99,000 copies of the station’s own survey guide of featured songs and hits. Patterson also said the station has a “refrigerator full” of promotions and uses them as the need arises.

Also in the Top 40 market, radio station CKLW has increased its power in influencing the sales of records since the last Billboard survey. The market saw WJBK change format from Top 40, where it ranked No. 2 last May, to good music. In May 1964, it was No. 4; now it ranks second. Dave Shafer and Tom Shannon of CKLW now rank second and third behind WKNR’s Bob Green.

John Gordon, the program director of CKLW, received the Billboard nod as most co-operative in exposing new records.

Close in R&B Field

In the R&B field in the Detroit market, it was a close race, but WCHB radio came out on top in influencing record sales. WCHB had 49 per cent, WJLB had 44 per cent and FM station WGPR had 7 per cent. WJLB ranked first last May.

Bill Williams, program director at WCHB, attributed the station’s increase in influence to a “much tighter format that was launched in January.” The station also went 24-hours in April. Williams said deejays on WCHB are now faster with delivery than before. “We play 35 of the top-selling R&B records, interspersed with every third record with one we think is a good prospect for a potential hit-maker to climb-up the chart.” This has made the station very important in getting listeners to go out and buy more into the R&B product,” Williams said.

“This is a good R&B market, its the home of the Motown sound,” he said, adding that he liked to think of his market as the entire population of Detroit. WJLB, however, scored with the top disc-jockey — Ernie Durham — in the power of influencing record sales. In fact, Durham almost captured the whole thing with a 44 per cent influence in the Detroit R&B market. The second-place honors goes out to Le Baron Taylor of WCHB, who held the No. 2 spot at 27 per cent.

Interesting to note is that an FM station, WBRB-FM is now showing muscles in influencing the sales of country music records. The field is still dominated by country powerhouse WEXL, which still came up with 86 per cent of the total points, but it’s no longer a one-station field. WBRB showed up with a 14 per cent; it’s a new station since the last Billboard survey. Bill Samples, of WEXL, is still the No. 1 deejay in the motor town getting country music records sold. END

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Source information and credit: Billboard July 24, 1965

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LIGHT, AND LIVELY: ANITA KERR SINGS ‘THE DETROIT SOUND’ FOR WXYZ, 1966

Audio digitally remastered by Motor City Radio Flashbacks

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In 1965, the Anita Kerr Singers achieved a major milestone by winning two Grammy Awards. They were honored with the ‘Best Performance By A Vocal Group’ award for their RCA album ‘We Dig Mancini’, triumphing over The Beatles’ ‘Help!’ in that category. Additionally, they received the ‘Best Gospel Album’ award for their collaboration with George Beverly Shea on the 1964 RCA album ‘Southland Favorites.’

Click on (PC) or tap over and stretch image (Moble devices) for largest view.

Later that year, a brief article in the October 16, 1965, edition of Billboard magazine reported that Anita Kerr had relocated from Nashville to Hollywood. There, she established Anita Kerr Enterprises to explore opportunities in commercial radio and the jingle industry. Partnering with former RCA Victor European sales administrator Alexandre Grob, they also enlisted Charlie Williams, a former songwriter and personal manager from RCA Records. While based on the West Coast, Anita Kerr continued to work with her Nashville-based group, intending to bring them to California for jingle recordings. According to the Billboard article, the group was to remain an act under the RCA label.

By 1967, Anita Kerr Enterprises had crafted jingles for a range of radio stations across the country, including KMPC AM 710 in Los Angeles, WLS AM 890 in Chicago, WGH AM 1310 in Newport News (Virginia), and WXYZ AM in Detroit.

At WXYZ AM 1270 in Detroit, Lee Alan served as the program director. In late 1965, as part of the station’s preparations for 1966, Lee Alan composed the “Personality Plus” jingle series for the new upcoming “Detroit Sound” programming, geared in a new direction and with anticipated excitement. WXYZ-AM, at the time, was an ABC Radio Network affiliate based in New York.

Once ABC approved the “Personality Plus” jingle package, General Manager Chuck Fritz authorized Lee Alan to hire Dick Marx Productions from Chicago to finalize the arrangements and contract Anita Kerr for the vocal work. Lee Alan noted, “Years earlier, Dick Marx had produced jingles for our sister station WLS-AM in Chicago.”

Lee Alan explained, “The jingles were meticulously crafted to refresh and elevate WXYZ’s sound. I produced the package with Dick Marx, and we brought in Anita Kerr and her singers for two recording sessions over two days.”

He further added, “I was later asked to create another jingle series for WXYZ-FM, which was broadcast separately from AM due to FCC regulations. At the same time, I composed and produced opening jingles for the new ‘Martin and Howard’ show starting in 1967, again working with Dick Marx and Anita Kerr” (Lee Alan’s comments, July 2, 2012).

In conclusion, take a moment to listen to those classic jingles Anita Kerr recorded for WXYZ radio in 1966. It’s clear that this custom package remains one of the most beautifully arranged sets of jingles ever produced for Detroit radio in the 1960s.

A special thanks is due to Lee Alan for making this remarkable WXYZ custom series possible in 1966.

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MOTOWN MONDAY! A Detroit Free Press NEWSPRINT BACK-PAGE . . . SPOTLIGHT ON THE SUPREMES!

DETROIT FREE PRESS Sunday, January 30, 1966 [A]

DETROIT FREE PRESS Sunday, January 30, 1966 [B]

DETROIT FREE PRESS Sunday, January 30, 1966 [C]

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Above article is courtesy freep.com newspaper archive. Copyright 2024. Newspapers.com.

The above featured ‘Motown’ newspaper article (Detroit Free Press) was clipped, saved, and was digitally re-imaged from the credited source by Motor City Radio Flashbacks.

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DETROIT FREE PRESS Sunday, January 30, 1966 [D]

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FROM THE ARCHIVE: WHND RECALLED! RICHARD D’s TOP 12 ON THE RADIO

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Newly restored! This selected audio recording was digitally enhanced by Motor City Radio Flashbacks.

This WHND Richard D audio file, in it’s archived, original and unrestored form was selected for today’s special aircheck “restoration” presentation.

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THIS WEEK IN 1964: THE WJBK RADIO 15 RECORD REVIEW . . . JULY 17

WJBK RADIO 15 RECORD REVIEW July 17, 1964

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This official Record Review survey was tabulated overall by each record’s popularity and its appeal, sales, listener requests and record air plays based on the judgement of WJBK Radio 1500 (1964)

The above WJBK chart was digitally restored by Motor City Radio Flashbacks

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WJBK RADIO 15 RECORD REVIEW July 17, 1964

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A sincere thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity, dedication, and your continuous support.

Above WJBK music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.

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WHERE DID ED McKENZIE’S MONIKER ‘JACK the BELLBOY’ ORIGINATED FROM? NOW WE KNOW

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This article/advertisement courtesy freep.com newspaper archive. Copyright 2024. Newspapers.com

The featured Detroit Free Press article (August 31, 1951) was digitally re-imaged and was entirely restored by Motor City Radio Flashbacks.

Missed any of our previous ‘Detroit Radio Back-Pages‘ features? GO HERE

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Jack the Bellboy.

There were five WJBK personalities who used the JTB moniker in the 1950s and in the 1960s. Ed McKenzie (1951). Tom Clay (1958). Dave Shafer (1962). Terry Knight (1963). Robin Walker (1964).

One other fact: When Ed McKenzie left WJBK for WXYZ in 1952, WJBK retained legal rights to the moniker. Nobody else at WJBK would use the title until Tom Clay was hired in late 1957, when Casey Kasem left Detroit for Buffalo that year. In 1956-57, Casey Kasem had the same late-evening hours as Ed McKenzie, on WJBK. Offered the JTB title by the station, Kasem once stated he simply declined assuming the moniker during the short time while he was there.

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A special thank you to senior MCRFB consultant Greg Innis, of Livonia, MI., for contributing the Newspapers.com archives (Detroit radio related) articles, ads, and images we have provide for this site since 2016.

Thank you, Greg Innis, for making these historic Detroit radio features possible. 🙂

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THE VOICE OF SUMMER REMEMBERED: ERNIE HARWELL and PAUL CAREY on WJR, MAY 24, 1977

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DETROIT FREE PRESS Wednesday, May 25, 1977 — Believe it or not, one of the reasons Ralph Houk temporarily turned John Hiller into a starting pitcher was to try to build the veteran’s confidence back up.

If nothing else, the Tiger’s accomplished that much Tuesday night at Tiger Stadium.

Although Hiller was no match for California’s record-setting Nolan Ryan, he certainly had nothing to be ashamed of as the Angels stopped the Tiger’s three-game winning streak, 2-1.

Angels 2-Tigers 1 (Click on box score for largest detailed view).

Ryan was his customary over-powering self, permitting three singles and striking out 12 to set an American League record for such feats. It marked the 75th time since joining the Angels in 1972, that Ryan had struck out 10 or more batters in a ball game.

THE ANGELS’ fireballing right-hander has enjoyed 89 such games in his major-league career, dating back to his days with the New York Mets, which leaves him just 8 shy of the major league record, held by Sandy Koufax.

But let the record show, John Hiller struck out five himself while only allowing five hits in his most impressing nine-inning effort against the Angels.

[See Detroit Free Press article below for more. Click on, tap or stretch article for larger detailed read].

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WJR served as the flagship station for the Detroit Tigers Radio Network, with Paul Carey producing broadcasts for the network from 1964 to 1971.

When Ray Lane transitioned to television, Carey teamed up with Ernie Harwell as a play-by-play announcer for the 1973 season, a role he held for 19 seasons. Except for his last three seasons, he also took on engineering duties for the broadcasts.

In early 1991, Carey announced his retirement at the end of the season, with his final Tigers broadcast taking place on the last day of the 1991 season—marking the final baseball game at Memorial Stadium in Baltimore. In 2012, Carey was honored as the third recipient of the Detroit Sports Broadcasters Association’s Harwell Lifetime Contribution Award, following Harwell and John Fountain.

Carey passed away on April 12, 2016, in Rochester, Michigan, due to chronic obstructive pulmonary disease (COPD) at the age of 88.

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Detroit Free Press, 05/25/1977 | Copyright 2024. Newspapers.com

BASEBALL REFERENCE: For the complete California Angels vs Detroit Tigers May 24, 1977 game-day box score and stats — click HERE

DETROIT FREE PRESS May 25, 1977 [A]

DETROIT FREE PRESS May 25, 1977 [B]

THE VOICE OF THE DETROIT TIGERS Ernie Harwell with Paul Carey.

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WKQI 95 FM: BACK ON THE RADIO! DICK PURTAN with SOUPY SALES, JULY 13, 1992

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Newly restored! From the MCRFB collection. This selected audio recording was digitally remastered for this feature presentation by Motor City Radio Flashbacks.

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Motor City Radio Flashbacks extends warm, Birthday wishes to Dick Purtan. Happy Birthday, Dick! We hope your day was truly special. And thank you again, for all those great D.P. radio memories you shared with us for well over four decades on both sides of the Detroit radio dial. 🙂

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