WJIM MICHAEL P. SHIELS REMEMBERS J. P. MCCARTHY

MCRFB note: Michael Patrick Shiels was the long-time producer for WJR Detroit’s legendary radio host, J.P. McCarthy. While on WJIM, Lansing, Michael Patrick paid homage to his radio hero/mentor J. P. McCartney on his program every August 16, which marked the day of the legendary WJR broadcaster’s passing back in 1995.

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THE DETROIT MAGAZINE — PRESENTING THE SHAH OF SUNRISE, MR. J. P. MCCARTHY!

MarqueeTest-2NEW! Added to the MCRFB archive:

The Detroit Magazine, December 4, 1966

 

 

 

 

 

“Hello! Yeah, Bill. Bill, I’ll tell you what, the way the schedule is going, I just don’t see how I’ll be able to do it. Oh boy, I’m up to my ears, Bill. The idea sounded like it had a lot of appeal a few months ago, but I wasn’t busy a few months ago! Yeah, I’m very busy, and there’s no point in me kidding you about it. I’m very flattered you’re interested, but I think I’d better pass on it. Fine, Bill. Good to talk to you!”

The Detroit Magazine (The Detroit Free Press); December 4, 1966
The Detroit Magazine (The Detroit Free Press); December 4, 1966

“Helen, get us some coffee, huh?” J. P. McCarthy leaned back in a swivel chair jammed into one corner of his cluttered office in WJR’s Golden Tower of the Fisher Building.

“Well, how serious can you get about a disc jockey program? I don’t even like the word disc jockey, but that’s what I am. I play records and talk to people, and I don’t think you can take yourself seriously when you’re doing something like that. I’d much rather be president of General Motors, or a neurosurgeon, but my hands aren’t steady enough.”

McCarthy (his friends call him Joe) laughed and said, “I guess I’d like to be a singer, but you know! I kinda sing on the air, after a fashion. Bill Kennedy says it makes him sick. I can drive cows out of their minds. Dogs are supposed to actually cover their ears with their paws when I sing! I’m gonna play my record tomorrow — ‘When Flying Tigers Play!’ I made it last year. Do you want to hear it? I’ll play it for you now if you really want to hear it, but not many people do!

“If I had my choice? I’d like to be president of General Motors. Yes, I’d like that a lot!”

Human nature being what it is, the president of General Motors might likely be only too happy to trade places with Joseph Priestly McCartney, WJR disc jockey, MC of the ‘Focus’ show, voice of numerous radio and television commercials, and star of a projected daytime TV interview show. It’s questionable, though, whether the president of General Motors would stand the gaff, and as for McCarthy’s being a neurosurgeon, well, medicine’s loss is the radio listener’s gain.

McCarthy’s voice, trained to be rich and resonant, is the commodity he markets with marked success. He’s the voice of The Great Voice of the Great Lakes, and he exudes Good Will. To the 21-and-up age segment of the radio listening  public, J. P. McCarthy is the perfect image: Not way out, but buoyantly on top of the world; not a hipster, but “In”; not a clown, but playful; not brazen, but breezy.

Jockeying records,  reporting on the conditions of”our beloved ditches,” his voice registers cynicism, delight, boredom, brashness, fatalism, impertinence, sophistication, world-weariness — a bagful of emotions and attitudes that his listeners may privately share  but rarely publicly express.

A J. P. sketch. DETROIT magazine; December 4, 1966 (click image for larger view)
A J. P. McCarthy sketch. DETROIT magazine; December 4, 1966 (click image for larger view)

When McCarthy starts off his early morning “Music Hall” record show with the  flip-remark: “Okay. Let’s get this turkey on the road!” early risers feel a little glow of ‘what-the-hellism’ beginning to warm the prospect of the day ahead.

McCarthy tosses commercials, platters, sports reports and weather news about his head with the competence and confidence of a four-armed, hind-sighted juggler. Businessmen who tune in are made to feel that here’s someone who can thumb his nose at convention and be his own boss. McCarthy’s young-mature listeners identify with his smoothness, his air of “in.”

They can quote J. P. ‘s  ‘Winner Of The Day,’ sometime sympathize with his Loser of the Day. They always that though their own 9-to-5 existence may dissolve into drabness when the office floor or the kitchen door closes behind them, J. P.McCartney, their friend, will go through the rest of the day — and probably half the night — smiling, ridiculing, joke cracking;  urbane and sophisticated; impervious to dullness, to mediocrity.

“Dr. Smith (Helen, could we have more coffee?) J. P. McCartney. Of the ‘Focus’ show on WJR.  Doctor, I wanted to know if you could spare the time to come up here and talk about LSD some day. I’d really appreciate it.I think the maximum would be 12 to 15 minutes. Well, why don’t we do a program on it at your convenience?  You set a date and we’ll devote as much time as we can to talking about it. Thank you. Good to talk to you.”

He has, in addition to Focus,” the 6 to 9 morning “Music Hall.” Jimmy Launce, formerly on “Focus,” took over the afternoon “Music Hall” last spring.

“The idea,” McCarthy said, “was to give me more free time in the afternoons, but it hasn’t exactly worked out that way. A couple of weeks ago I flew out to the coast to make a pilot film for a national daytime television interview show. If it goes, it’ll be great. It’ll be fun.  But I can’t . . . I’m not allowing myself to get excited, because I suppose for every 50 pilot films, one makes it. But they seem pretty excited. The nicest thing about it is that if it goes, I won’t have to leave here, because we do all our shooting on weekends on the coast. It would mean I’d be commuting.”

McCarthy already has a schedule that would give the president of General Motors pause.

By 9 in the morning, when most businessmen are just checking into the office, McCarthy has already put in three hours on his record show. He breakfasts on the run, and spends a good part of the late morning lining up records, interviews and reports for the next day’s session at the turntable.

Around 11 a.m. each day, the “Focus” producer comes in for a rundown on the day’s show.

Producer: Let’s go over the lineup for today’s show, Joe.

McCarthy: Good! Want some coffee? Who’s on today, anyway? I don’t even know who’s going to be here!

Producer: We’re having a manufacturer’s rep, who’s goin to explain what he does,and talk about business ethics.

McCarthy: That’ll be something! Business ethics. Any body else?

— Audra Hendrickson

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Audra Hendrickson lives in Bloomfield Hills and is an occasional contributor to DETROIT magazine. (DETROIT magazine; December 4, 1966)

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Addendum: Motor City Radio Flashbacks would like to extend special thanks to our website contributor James Heddle for providing us this special J. P. McCarthy article. From the James Heddle Collection.

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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * SEPTEMBER 26, 1966

MarqueeTest-2From the MCRFB archive files:

THE TOP 35 HITS ON WXYZ ON THIS DATE IN 1966

 

WXYZ 1270 Detroit Sound Survey; Week no. 24 issued September 26, 1966 under Lee Alan, Program Director; WXYZ

 

 

wixie160(WXYZ 1270 Detroit Sound Survey for September 26, this date 1966; survey courtesy the Jim Heddle Collection. For the previous weekly WXYZ September 19, 1966 survey click here).

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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * SEPTEMBER 19, 1966

MarqueeTest-2From the MCRFB archive files:

THE TOP 35 HITS ON WXYZ ON THIS DATE IN 1966

 

WXYZ 1270 Detroit Sound Survey; Week no. 23 issued September 19, 1966 under Lee Alan, Program Director; WXYZ

 

 

wixie159

(WXYZ 1270 Detroit Sound Survey for September 19, this date 1966; survey courtesy the Jim Heddle Collection. For the previous weekly WXYZ September 12, 1966 survey click here).

http://www.youtube.com/watch?v=1cbe7fFzQyA

WXYZ Detroit Sound Survey No. 22: “Money Won’t Change You (Pt. 1),” by James Brown, this date in September 1966.

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DETROIT RADIO SIDEBAR: WXYZ-AM BILLBOARD NOTES

Motor City Radio Flashbacks logoFrom the MCRFB RADIO notebook: 1962, 1963, 1964, 1965, 1966, 1967, 1968 and 1971

WXYZ-AM

 

 

 


 

DETROIT (November 7, 1960) — Joel Sebastian, formerly KLIF, Dallas, has returned to his home town and WXYZ, Detroit. END

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DETROIT (January 20, 1962) — Joel Sebastian has returned to WXYZ, Detroit, in the 7:15 p.m. to midnight time segment, Monday through Friday, and from 7:00 p.m. to midnight on Saturdays. The jock left WXYZ some time ago to join WIND, Chicago. He replaces Lou Sherman and Fred Weiss at WXYZ. In addition to his daily chores he will conduct “Teen Bulletin Board” on Tuesdays and Thursdays from 7:30 to 7:45 p.m. Coca-Cola sponsors the teen show. END

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DETROIT (March 31, 1962) — There has been a personnel shuffle at WXYZ, Detroit, but station program director Bob Baker reports that the station’s programming will remain the same. Marty McNeely is leaving the station, and Lee Alan is returning in the 7:00 p.m. to midnight slot. Joel Sebastian, heretofore night man, is taking over the 3-7 p.m. hours, and Paul Winters, formerly afternoon man, is moving into the 11:00 a.m. – 3:00 p.m. mid-morning-early afternoon drive. END

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DETROIT (March 2, 1963) — Paul Winter of WXYZ radio, Detroit, ran a promotion during National Electric Week that deejays can adapt to any time. Winter offered to pay the next electric bill of any listener who correctly estimated the number of electrical appliances in the average American home, as determined by the electrical industry. Listeners were also asked to name one electric appliance they did not own. END

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DETROIT (March 9, 1963) — WXYZ disc jockey Dave Prince, who recently joined the station from WKMH, Dearborn-Detroit, launched his new show by doing remotes from the sports car exhibition at the Henry Ford Museum in the Motor City’s famous Greenfield Village. Dave Prince began his first Saturday morning and afternoon show on 1270 last week (March 2) and will be doing a Sunday afternoon show on weekends as well. END

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DETROIT (August 31, 1963) — When it comes to televised teen-dance shows gaining popularity in several major cities across the country,  local Detroit TV showClub 1270,” aired Sunday afternoons on WXYZ-TV (local ABC-owned Channel 7) is one on top. The program is co-hosted by Joel Sebastian, and Lee Alan. Some 100 youngsters, all regular participants, sit around tables on the club-type set. Sodas and potato chips are served while teens whirl around the floor to the latest records. The talents on the show is outstanding of course . . . Trini Lopez, Freddy Scott, Stevie Wonder, etc., whether nationally popular acts or local. END

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DETROIT (January 11, 1964) — WXYZ Radio personalities Joel Sebastian, Lee Alan, Paul Winter and Dave Prince conducted a pre-Holiday campaign to get usable toys for hospitalized children at St. Joseph Mercy Hospital in Pontiac, Michigan. More than 300 toys were given to the youngsters at the hospital Christmas party.  On a different note, WXYZ radio personality Joel Sebastian, and wife, Frances, proud parents of eight and a half pound baby girl, Laura Elizabeth, born Thanksgiving day. END

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DETROIT (May 11, 1964) — Lee Alan, popular night-time deejay on WXYZ 1270 in Detroit, leaves his weeknights 7:15 p.m. – midnight show to set up his own promotional and programming service. END

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DETROIT (February 13, 1965) — WXYZ’s deejay Marc Avery show was interrupted recently by a call that came in on the station’s “Hot Line” (a private phone number in the studio designated for pick-up for emergency calls, etc.). The caller said, “This is C. E. Hooper calling. May I ask you what radio station you are listening to?

At first Avery thought it was a joke, but when the caller persisted in the interview, he realized it was on the level and answered back, “The Marc Avery Show on WXYZ-Radio.” Avery than confessed to the caller why he was listening to the show.

On a lighter note, what Avery and the executives of the ABC-owned station are now asking Hooper whether they will still get credit for Avery taking and answering the call. END

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DETROIT (October 16, 1965) — Jim McQuary has joined the WXYZ personality roster in Detroit; he was formerly with WJBK in the same city . . . WXYZ also added Danny Taylor . . . David R. Klemm, formerly with WXYZ in Detroit, has been appointed station manager of WLCY, Tampa-St. Petersburg, Florida. END

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DETROIT (January 15, 1966) — Program Director Bruce Still at WXYZ, Detroit, reports that a campaign launched by air personality Marc Avery drew in roughly 20,000 books of trading stamps to buy toys for children at Christmas. END

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DETROIT (March 3, 1966) — Bruce Still has been named operations director at WXYZ, Detroit; Lee Alan was promoted to program director and will continue his nightly on-air show. END

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DETROIT (February 18, 1967) — The deejay team of Martin & Howard debuted January 30 on WXYZ, Detroit. Teams have worked well on Easy Listening format stations and if these two do well on a Hot 100 format station in a major market like Detroit, it might prove interesting for other stations. Also, Joe Bacarella, formerly program director and afternoon deejay with WCAR, Detroit, has shifted to WXYZ, Detroit, as director of operations. END

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DETROIT (June 3, 1967) — Dick Kernan has been promoted to assistant director of operations and Jim Nell to traffic director of WXYZ, Detroit. Perry Krauss has been named producer of the Martin & Howard show. Incidentally, Kernan will assist operations director Joe Bacarella with programming. Krauss joins from WCAR, Detroit; where he headed the Perry Krauss Orchestra. END

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DETROIT (November 23, 1968) — Mike Sherman has joined WXYZ in the 2-6 p.m. slot and Dick Purtan, who’d been doing both morning and afternoon drive-time show, will now just be heard mornings 6-10 a.m. Sherman was formerly WIBC in Indianapolis. END

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DETROIT (February 27, 1971) — William F. Lochridge has been named general manager of WXYZ-FM; he’d been with Katz in that city; Dick Kernan will continue to direct operations and programming of the station. END

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(Information and news source: Billboard Magazine; All excerpts culled as was first published from the dated editions as noted above)



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‘THE REFLECTIONS’ * GOLDEN WORLD RECORDS * 1964

"(Just Like) Romeo And Juliet," The Reflections, Golden World;1964
A 1964 MOTOR CITY RADIO 45 RPM FLASHBACK! Made in Detroit — Release label: Golden World Records; Peaked highest, date: May 30, 1964. Peaked: No. 6. Weeks on charts: 12. Ranked overall entire year: No. 71 (1964). “(Just Like) Romeo And Juliet,” The Reflections, Golden World; (An Ed Wingate Production) 1964
The 'Reflections,' circa 1964
The ‘Reflections,’ circa 1964

The Reflections was the name of a number of musical groups.

Perhaps the best known were a blue-eyed soul/doo-wop group from Detroit, Michigan. They had one hit single in 1964 called “(Just Like) Romeo and Juliet”, written by Bob Hamilton and “Please Mr. Postmansongwriter Freddie Gorman. The song was produced by Rob Reeco on Golden World Records. The disc reached #6 on the Billboard Hot 100 chart and #9 on the Cash Box magazine chart. The record was even more popular in rhythm and blues locations, reaching #3 on that Cashbox chart. After a few more records that were moderate successes on the national charts, Ray Steinberg left the group for other interests. As a foursome, The Reflections continued recording and making TV appearances. In 1965, they made their one-and-only movie appearance in Winter-A-Go-Go, performing “I’m Sweet On You”.

They were signed to the same Detroit R&B label, Golden World Records, as their blue-eyed soul peers, The Flaming Ember and The Shades Of Blue.

Today, The Reflections are one of many popular groups touring various oldies venues throughout their home state of Michigan and all over the States. Original members Tony Micale and John Dean are now augmented by three other members from various regional doo-wop groups: first tenor Joey Finazzo, baritone Gary Benovetz, and first tenor Sal Prado.

(Source information: — WiKipedia).

American Bandstand teens dance to “Romeo & Juliet” by The Reflections. (You Tube). American Bandstand. May 30, 1964.

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