GAVIN REPORT: ‘DISK JOCKEY’S MORAL FORCE IN COMMUNITY’ . . . DECEMBER 21, 1963

From the MCRFB NEWS archive: 1963

GAVIN PROGRAMMING NEWSLETTER

 

 

 


From the Desk of Bill Gavin  Billboard Contributing Editor

 

D U R I N G   T H E   D A Y S   T H A T  followed President Kennedy’s death, I was privileged to have talked with many people in radio, from many different cities. Without exception, they expressed shock, grief and even shame that such a thing could happen in the United States of America. Many spoke with pride of the manner in which their respective stations responded to the tragic events and of the loyal, unselfish co-operation of their program staff.

All stations, of course, abandoned their regular formats of popular records, substituting different kinds of serious music. All advertising was canceled until the morning of Tuesday, November 26. Even after that date, many stations were cautiously slow in returning to their full compliment of current hit records. In a few cases, it was reported that even though the regular playlist was once more in effect, disk jockeys simply would not program the more raucous sounds.

The entire response of American radio during those difficult days was a mark of innate good taste and respect for listeners’ feelings on the part of radio people.

T H E   Q U E S T I O N   has been asked by many — and answered by none: will the sobering reflections of our national tragedy bring about a new trend in programming?

Some things are fairly certain: shock wears off; memories of sorrow grow dim; time erodes the sharp edges of a newly aroused national conscience.  It is a part of living there should be music and laughter and entertainment. No one would want it otherwise.

Billboard December 21, 1963
Billboard December 21, 1963

Radio Influences Youth

Network television and radio do an excellent job of presenting and explaining the world’s problems and our concerns with them. Unfortunately, very little of the networks’ news and commentaries ever reach the school-age population. The majority of the teens and pre-teens prefer listening to pop radio. Pop records are its entertainment and disk jockeys are its heroes.

T H E R E   A R E   D I S K   J O C K E Y S   who claim to “identify” with teenagers. What some of them mean is that they accept and condone teen attitudes and behavior. What is implied is often the deejay’s approval of the lowest common denominator of juvenile morality. The deejay is the acknowledged  leader in the field of records for youth; he too often neglects his opportunities to lead in the direction of more enduring values.

Many radio stations, with their well-publicized “personalities,” are held in far higher esteem by their young listeners than are their schools, their churches, and even their homes. It is time, I think, for such prestige to be used to reinforce, rather than to ignore, the basic values of human living.

Isn’t it time radio stood for something beside competition and profit? END

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(Information and news source: Billboard, December 21, 1963)



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‘SILVER’ BEATLES EMI AWARDED . . . DECEMBER 7, 1963

Beatles EMI Gold RecordsSILVER BEATLES: Members of the Beatles, hottest British group, receive their two silver LP awards from EMI chairman Sir Joseph Lockwood for sales well over the 250,000 mark on each of their albums “Please, Please Me” and “With The Beatles.” The latter was given two weeks ahead of the release of the LP. Advance orders stood at an unprecedented 345,000. At the same ceremony the group was given a miniature silver EP to mark sales of 400,000 for their first EP “Twist And Shout.” The boys have racked up a total sale of over four million on the sum total of all singles, EP’s and LP’s. (Billboard photo; December 7, 1963). 

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CAPITOL HAS NEW BEATLES BASHES . . . DECEMBER 14, 1963

MarqueeTest-2From the MCRFB news archive: 1963

One Million Pre-Sales Prior November 29 in England

 

 

 

 

 

England's The Beatles (click on for larger view)
England’s The Beatles (click on image for larger view)

HOLLYWOOD — Capitol Records here in the United States has completed negotiations with EMI for exclusive distribution of future recordings by the Beatles, internationally known (Europe) British rock and roll group.

The British band is coming to the U.S. for television appearances in 1964 and Capitol will release the single, “I Want To Hold Your Hand,” in mid-January. This single was originally released in England on November 29 and had over one million pre-sales orders, EMI Music claims. END.

 (Information and news source: Billboard; December 14, 1963).

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WJBK RADIO 15 REMEMBERS JFK: NOVEMBER 29, 1963

john-f-kennedy-1967conniefrancis-inthesummerofhisyears(1)

This single was packaged in a conservative gold sleeve with no photos,

and proceeds were donated to the family of

JD Tippet, a policeman who’d also been slain that day in Dallas.

“In The Summer Of His Years” * Connie Francis * 1963

connie-francis-in-the-summer-of-his-years-1963-3

 

WJBK - NOVEMBER 29, 1963

‘THE REGULAR RECORD REVIEW WAS NOT PUBLISHED THIS WEEK OUT OF RESPECT FOR OUR LATE PRESIDENT’ (No. 167 – November 29, 1963)

 

 

A MCRFB VIEWING TIP: To fully appreciate this WJBK Radio 1500  November 29, 1963 feature — to enlarge this image FULL SCREEN — click on the image and open to second window. See ‘Original size: ‘2433 × 2937‘ at the top/left and click on that link for EXPANDED LARGEST VIEW (twice). Click image anytime to return to NORMAL image size. (Click your server’s back button to return to MCRFB main home page).

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BBC KENNEDY BROADCAST IS HOT ITEM . . . DECEMBER 14, 1963

Motor City Radio Flashbacks logoFrom the MCRFB NEWS archive: 1963

THAT WAS THE WEEK THAT WAS

Saturday, November 23, 1963

 

 


 

NEW YORK — The record and radio industries were caught up in a hot controversy last week over the propriety recording and broadcasting the song “In The Summer Of His Years,” the John F. Kennedy tribute which was first sung on the BBC program, “That Was The Week That Was. NBC rebroadcast the BBC program.

The BBC's tribute to John Fitzgerald Kennedy THAT WAS THE WEEK THAT WAS Saturday, November 23, 1963
The BBC’s Tribute to John Fitzgerald Kennedy – THAT WAS THE WEEK THAT WAS – Saturday, November 23, 1963.

At press time, some seven single recordings of the song had been issued, and more were scheduled. In addition, Decca Records acquired the rights to release the soundtrack of the BBC show — originally broadcast on November 23 — and rushed out the album (see separate story).

Millicent Martin, the EMI artist who sang the song on the BBC show and whose performance is included in the Decca album, was also represented on a single released here by ABC-Paramount. Other singles as of press time were Kate Smith on RCA Records, Connie Francis on M-G-M, Mahalia Jackson on Columbia, Tony Arden on Decca, Hettie London on Palance Records.

Despite the fact that some of the royalties accruing from the song are to be given to charities or various causes, some stations refused to expose the disks. However, the diskeries involved felt in the main that their records were in good taste and indications were that they would not be withdrawn. Several of the labels involved said that they had already seen considerable action on the disk as a result of airplay on out-town-stations.

‘BLATANT’ SAYS PAULSEN

In New York, Varner Paulsen, Program Director of WNEW, said: “The records are a blatant attempt to try to commercialize on a national tragedy. The song as sung in the BBC-TV show of ‘This Was The Week That Was’ was a heart-rendering and sincere performance. Taken out of the context of the show it becomes something different.”

Mark Olds, general manager of WINS, stated: “The song was part of an almost extemporaneous serious program tribute to the late President of the United States with no thought of commercialization of material. Station policy forbids capitalizing commercially on such a tragic event.”

Ruth Myer, WMCA program director, said: “WMCA does not believe in banning records. We played the original version from the BBC program the day it was released. We felt it was of some interest to our audience. It isn’t anymore . . .  so we stopped playing it.”

BRITISH PRODUCT

Meanwhile, an astute observer noted the curious fact that the controversy was not an outgrowth of Tin Pan Alley activity. Two Brits wrote the song as part of the BBC tribute. Herbert Kretzmer wrote the words and David Lee the music. Lou Levy, president of Leeds Music, happened to be in a London apartment when the program was performed over the BBC.

He felt the song was a great piece of material and he acquired the copyright. Several artists, according to Levy — among them Connie Francis, queried the BBC to ascertain the publisher — and in this way the initial disks were cut. Levy notes he made no effort to promote the song — he merely urged that artists bear in mind the dignity of the material and exercise care care in their choice of material for the flip side. Even if the publisher wished to stop the flood of records, this was impossible owing to the compulsory or automatic license  provision of the Copyright Act.

Levy stated in part: “No one has ever been able to explain the creative process. Whatever magic is involved . . . touched two young songwriters in London . . . when the news about President Kennedy came to them over the air it was part of the BBC’s tribute . . . “

“But songs are not made just to be sung and heard; they are created to be sung over again and again. And so many fine artists have recorded this song: Connie Francis, Mahalia Jackson, Tony Arden, Kate Smith, Millicent Martin. Translations are being made in many languages; it is a song to be heard ’round the world . . . it will be part of every remembrance . . . royalties are being donated by many of those involved. Our part in making this song is small, but we feel well rewarded.”

As the week closed, discussions reached a high point, centered around the theme of what was the proper role of the music-record industry — and the radio industry — with regards to “event songs,” in this specific instance a song dealing with one of the most tragic events in the nation’s history. END

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(Information and news source: Billboard; December 14, 1963)


 

THE BBC JFK TRIBUTE SONG — A CHICAGO VIEW

CHICAGO — “In The Summer Of His Years,” taken from the BBC-televised tribute to the late President Kennedy on the program “That Was The Week That Was,” will have a tough time getting airplay here, a check by Billboard indicated here last week.

Though many local stations still haven’t had time to review the numerous versions of the tune, those that did turned thumbs down.

At WIND, a Westinghouse Group W station, Guy Harris termed the disk “lousy and mauldin.” He said it was “hard to get specific . . . we reject a lot of records each week, this is one of them.”

Gene Taylor, at WLS, the ABC powerhouse, said he had heard only the Connie Francis version and that he just “wouldn’t touch it.”

At WGN, Bob Bradford said he hadn’t heard the record and would have to listen before making up his mind. He said the original was “beautifully done,” but felt the record might be “out of context” on a commercial radio station.

Floyd Brown at WYNR, the big McLendon corporation rocker, said he though it in “poor taste to capitalize on such a tragic situation.”

At WBBM, the CBS outlet, Len Schlosser said the records haven’t been screened as yet. At WVON, the city’s biggest R&B outlet, Lloyd Webb said the station had not made up its mind yet, though he did feel it was a good tune. END

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(Information and news source: Billboard; December 14, 1963)



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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * NOVEMBER 28, 1966

MarqueeTest-2From the MCRFB archived files:

THE TOP 35 HITS ON WXYZ ON THIS DATE IN 1966

 

WXYZ 1270 Detroit Sound Survey; Week no. 33 issued November 28, 1966 under Lee Alan, Program Director; WXYZ

 

 

wixie169wixie177(WXYZ 1270 Detroit Sound Survey for November 28, this date 1966; survey courtesy the Jim Heddle Collection. For the previous weekly WXYZ November 21, 1966 survey click here).

PUBLISHED ONE YEAR AGO TODAY: A SALUTE TO A DETROIT RADIO BROADCAST LEGEND: WXYZ-AM 1270 A Retrospect Into The Making Of A Great Detroit Broadcasting Legend And The End Of A Top 40 Giant (November 28, 2012)

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