Category: Flashbacks
BILLY JOE ROYAL, POP/COUNTRY SINGER, DEAD AT 73
OBITUARIES
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’60s POP / COUNTRY SINGER BILLY JOE ROYAL DIES AT 73
By William Grimes | NY TIMES Staff Writer | October 07, 2015
Billy Joe Royal, Singer, Dies at 73; His ‘Down in the Boondocks’ Was a Hit – NYTimes.com
Billy Joe Royal, a pop and country singer best known for his 1965 hit, “Down In The Boondocks,” died Tuesday at his home in Morehead City, N.C., He was 73.
The cause has not been determined, his publicist, Brent Taylor, said, adding that Mr. Royal had performed at a concert as recently as Sept. 24 and had a full touring schedule lined up for the fall.
Mr. Royal, who sang with a tremulous tenor and an intense delivery, had his biggest hits with several songs written and produced by Joe South. The top seller was “Down in the Boondocks,” the bitter lament of a boy from the wrong side of the tracks in love with a rich girl, which reached No. 9 on the pop charts.
“I guess people related to poor people,” Mr. Royal told The Chicago Tribune in 1990. “Once in a while I hear it on the radio, and it still stands up. The song meant everything to my career. I was making about $125 a week before that.”
He hit the charts with two other songs by Mr. South, “Hush” and “I Knew You When,” and ended the decade in the Top 20 with “Cherry Hill Park” (1969). CONT.
MCRFB note: For the rest of this New York Times Billy Joe Royal Obituary article (October 07, 2015), please GO HERE.
William Grimes | Copyright © 2015 New York Times
THE GEORGE GRIGGS MUSIC ARCHIVES: ’64 MEMORY!
DETROIT MOTOWN MONDAY RECORD FLASHBACK ’64!
A NEW 1966 TV SCENE IN NBC-TV COMEDY: MONKEES!
WXYZ 1270 DETROIT SOUND TOP 12! THIS WEEK IN 1966
WIXIE DETROIT SOUND No. 01 * Four Tops * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 02 * The Association * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 03 * Sandy Posey * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 04 * Richard & The Young Lions * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 05 * Jimmy Ruffin * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 06 * Neil Diamond * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 07 * The Rationals * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 08 * Lou Rawls * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 09 * The Supremes * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 10 * The Surfaris * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 11 * Count Five * WXYZ (9/26/66)
WIXIE DETROIT SOUND No. 12 * The 4 Seasons * WXYZ (9/26/66)
BONUS! WIXIE DETROIT SOUND No. 20 * Bob Seger * WXYZ (9/26/66)
BONUS! WIXIE DETROIT SOUND No. 25 * Belfast Gypsies * WXYZ (9/26/66)
BONUS! WIXIE DETROIT SOUND No. 32 * Jean Du Shon * WXYZ (9/26/66)
A MCRFB VIEWING TIP: To fully appreciate this WXYZ RADIO 1270 September 26, 1966 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.
(Click your server’s back button to return to MCRFB home page).
All FIFTEEN WXYZ song titles randomly were selected for your listening enjoyment here.
GAVIN REPORT: WHO NEEDS IT? PEDDLING ‘DIRTY LYRICS’ RADIO OBJECTIONABLE . . . JUNE 29, 1963
From the MCRFB NEWS archive: 1963
The Bill Gavin Newsletter (June 29, 1963)
From the Desk of Bill Gavin Billboard Contributing Editor
O U R R E C E N T C O L U M N O F D I R T Y L Y R I C S brought several interesting letters from radio people.
Ralph Howard, program director of WOTT, Watertown, New York, comments that “a bad record doesn’t make a bad kid.” He calls attention to some of our old standards whose lyrics can be interpreted in a suggestive vein. “I try to play what sells,” he continues, “and if it does, I’m a winner.”
Steve Joos, program director of WCOL, Columbus, Ohio, writes that his simple solution for the problem of records with unacceptable lyrics is not to play them. He forcefully rejects the thinking that the station has to play a record just because the competition is doing so. He comments that the stations whose ratings are shaky enough to be harmed by the omission of one or two records is in a very bad way.
Jack Sharp, operations manager of KFJZ, Ft. Worth, suggests a “gentleman’s agreement,” among the broadcasters of a community that they will jointly refuse to play an objectionable record. He remarks that this would not be in any sense discriminatory or illegal but would “be merely self-policing that the NAB has been striving for.” “It is no more discriminatory,” he continues, than my top 40 station refusing to play a fiddle-screeching hoedown, nasal, crying-in-my-beer song that has actually sold 4,000 records in my market.”
L E T ‘ S C O N T I N U E W I T H M O R E O F Sharp’s thoughtful letter: “Even if a program director and his competition cannot come to an agreement on a ban, he still does not have a reason to fall back on that tired old excuse that ‘if I don’t play the record, my competitor will, and the kids will go there to hear the record.’
“This, says Sharp, “is the biggest bunch of garbage in radio. The program director who programs strictly because he might lose some listeners is cutting his own throat. I defy that program director to show me a market in the United States where the omission of one record from his playlist will cause the ratings to slip.”
“One of your correspondents asked the question of where the action should come from, the record industry, or the radio industry. The record industry is far too big ever to police offending labels. So the suggestive records will always show up, and somebody will always play them. The only solution lies in the individual market, and I refuse to believe there are program people out there, anywhere, who will fail to at least discuss the merits of various records with their competitors. They may fail to agree, but they will not fail to listen, discuss and to at least talk.
“After a few bans in major markets, agreed upon in advance by program men, perhaps the offending labels will take a second look at the advisability of attempting to peddle trash. Such is perhaps a long shot, true, but there certainly isn’t any other way to clean up the airways.”
O U R T H A N K S G O E S O U T T O Jack Sharp, Steve Joos, Ralph Howard, and many others in the field who wrote in sharing their views. Obviously, certain other broadcasters are well aware of this problem and are doing something about it. Perhaps their general attitude is best expressed by Bob Osborne, WIL, St. Louis. With reference to an objectionable disk that his station was not playing, of his reply, he says: “Who needs it?” END
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(Information and news source: Billboard; June 29, 1963)
WDRQ-FM 93 DETROIT ‘TOP 25’ HITS! WEEK OF 09/24/73
SUPER Q HIT NO. 01 * Grand Funk Railroad * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 02 * Isley Brothers * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 03 * Cheech and Chong * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 08 * Jim Croce * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 12 * The Stories * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 14 * Gilbert O’Sullivan * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 17 * War * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 21 * Rolling Stones * WDRQ FM 93 09/24/73
SUPER Q HIT NO. 23 * Sly & The Family Stone * WDRQ FM 93 09/24/73
SUPER Q ALBUMS * LOS COCHINOS “Sargent Stadanko” * WDRQ FM 93 09/24/73
These were the records you bought. Many hits listed here were the most popular singles heard played on FM Top 40 radio, September 1973, and on the No. 1 FM radio station (then) in the Motor City — the “Super Q,” WDRQ-FM.