WGPR-FM STAYS REMOTELY ON DIAL… JULY 17, 1965

From the MCRFB news archives:

WGPR Station on Move, Has 36 Remotes a Week

 

 

 

 

 

DETROIT — A radio station that’s “kinda movin'” gets listeners and WGPR-FM is a station constantly on the move. Floyd M. Jones,  station manager, said the station is “No. 1 among FM stations and No. 3 among stations — period.”

Probably the strongest example of how this station moves, however, is a countdown of its remotes — 36 a week. Jones handle a two-hour daily, three hours every Saturday evening doing a jazz record show from the Disk Jockey Lounge. Dan (Bull Frog) Harrison does a R&B record show from the Chit Chat Lounge. Deejay Larry Dixon may handle a random remote every now and then, but nothing steady at the moment; however, he does have a weekly record hop.

The 50,000-watt FM station broadcasts about 20 hours a day covering a radius of 75 miles around the Detroit metropolis. One reason for the tremendous success enjoyed by the station, Jones said, is that some 87 per cent of Detroit’s  Negro element has FM radios. “But it’s more than that. We’re creating the image here that FM is more than just a background medium. We’re putting out a new sound.”

While the station programs record shows for the diverse Detroit populace such as Greeks, Italians, Hungarians, Polish and Mexicans, the main portion of each day is used for programming R&B — a total of three programs a day for a total of seven hours. Jazz takes up about four hours each day. Gospel music is played early in the morning. Sunday morning is devoted to remote broadcasts throughout most of the day through local churches. The station employs about 40 people. Bob Longwell is the station’s general manager.

Another reason the station is moving, according to Jones, is that programming and air personalities aims at three important and large audience segments. “I take care of the jazz fans,” Jones said. “Larry Dixon is a teen-oriented personality. And “Bull Frog” is for the rhythm and blues fans.” END.

 

(Information and news source: Billboard; July 17, 1965).

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WRIF VOICE CROWD, SEATING CONCERNS FOR STONES CONCERTS… SEPTEMBER 26, 1981

From the MCRFB news archives:

WRIF PD Pleads For Reserve Seatings In Lieu of Crowd Rush Safety; Brass Ring Says ‘Festival Seating’ Admission Will Do Fine

 

 

 

 

DETROIT — A dome full of controversy over public safety including legal suits and radio and television editorials surrounds the upcoming Rolling Stones concert at the Pontiac Silverdome November 30 and December 1.

At issue is the practice of selling general admission tickets, also know as festival seating. Eleven persons died in the crush to get good seats in Cincinnati two years ago at a rock concert featuring the Who. Since then, public criticism of festival seating has led to seating policy reform in Ohio and orther parts of the country. There are no laws prohibiting festival seating in Michigan.

The Rolling Stones performed before a sold-out concert crowd at the Pontiac Silverdome; Monday, November 30, 1981 (Click on image for larger view)

Concerns over safety gained added weight last week when a performance by the Rolling Stones in Worcester, Mass on Monday, September 14 turned into a disturbance. An estimated 4,000 fans turned out for a supposedly secret concert for 300. Seventy police offices tried to control and quell the crowd and made 11 arrests that evening in the process.

Following the incident at Worcester, two possible shows at Boston’s 2,800-capacity Orpheum Theater were scrubbed by city officials for security reasons. Instead, Boston Mayor Kenneth H. White suggested that the band play a free concert at City Hall Plaza Sunday. This suggestion was turned down, and according to promoter Don Law’s office, no Rolling Stones dates are scheduled for Boston at this time.

The Rolling Stones tour officially begins Saturday, September 26 when the group will play two shows before an estimated sold-out crowd of 90,000 at JFK Stadium in Philadelphia.

Mick Jagger at the Silverdome November 30

In Detroit, almost immediately following the recent announcement by concert promoter Brass Ring that seats for the two Silverdome concerts would be occupied on a general admission basis, Fred Jacobs,  program director of WRIF-FM, went on the air with a plea for greater audience concerns amid crowd rush safety issues. The ABC-owned radio station’s television affiliate, WXYZ-TV, Channel 7, also editorialized against the planned seating arrangement.

Meanwhile, two University of Detroit law students has filed suit in Oakland County court to block the concert if tickets are not sold on a reserve seating basis.

Brass Ring has insisted that the concerts are safe and that the security arrangements are more than adequate,. If both concert dates are sold-out as expected, the gross income from 150,000 tickets will be estimated at $2.5 million.

The Stones current tour in support of the recently released Tattoo You LP will cover 21 cities. The expected attendance is estimated over 1.5 million fans who will pay an estimated $20 million to see the Stones perform.

The Stones were originally scheduled to play the Silverdome on November 30 only, but tickets for that concert sold-out in a few days. The heavy demand led to the addition of a second show for the following night with a limit of six tickets per customer sold by mail order only. Brass Ring Productions stated that the second performance at the Silverdome precludes a rumored appearance  by the group in an unnamed small local club.

The Stones electrified the Silverdome crowd… November 30 (Click on image for larger view)

“Every promoter in the country learned by that (Cincinnati tragedy) and everybody’s planning better,” Jeff Ellwood, spokesman for Brass Ring says in defense of the seating plan for the Stones’ appearance in Pontiac. To avoid any possibility of a rerun of the fatal crush for seats, the Silverdome gates will be opened several hours before the scheduled showtime, security has been beefed up, and a phone hotline has been installed to give updates on the event.

WRIF’s PD Jacobs says that the contents of his editorial was “non-juicy,” asking questions of who’s responsible, is there a need for festival seating, and is it safe.

“Referendum (a call-in listener poll) is running 10 to 1 against festival seating,” Jacobs says. “The promoter took our latest editorial very personally. It’s too bad because the issue here is public safety. We love the Stones, everyone at WRIF is looking forward to the concerts, but why no reserve seating?”

Used Rolling Stones Silverdome ticket stub; December 1

Law students Steven Iamarino and James Rocchio filed for an injunction in Oakland County Circuit Court seeking a temporary restraining order barring the concerts unless the reserved seats are sold.  The motion was denied by Judge Hilda Gage on September 11. She sets an October 7 court date to hear testimony on the case.

The plaintiffs Iamarino and Rocchio are suing the Silverdome, the city of Pontiac, Brass Ring and Rainbow Productions, the New York promoter, on the grounds the concerts’ proposed seating is a threat and danger to both public and personal safety.

“A class action may be approriate,” Iamarino says. The class action could include all those who requested tickets. Iamarino and Rocchio plan to submit lists of questions concerning public safety and security precautions at the Silverdome to all four defendants named.

L. Brooks Patterson, Oakland County Prosecutor, plans to step in if the Silverdome doesn’t act to “minimize the risks.”

“I consider festival seating risky,” says Patterson, “I’m waiting to see how far the stadium is willing to go to reduce the risk. By that I mena open up all the gates far in advance of the concert. If they only plan to open two or three gates a couple of hours before the show starts, we would take action in the form of a lawsuit.”

The Silverdome’s office of promotions and publicity says the entire stadium facility will be opened up. “Security and insurance coverage are contractual obligations of the promoter,” the office says, “and they are required to furnish extensive coverage.”

The State of Ohio and the city of Cincinnati took legislative action in wake of the 1979 tragedy, according to state legislative Senator Stanley Aronoff’s office. “It took 15 months for the legislation to act but now we have very detailed, stringent restrictions on festival seating, based on type of concert, area, and facility,” say Mary Williams of the Senator’s office.

“Of course, if you have a ballet and the crowd is 4,000 by admission that’s not the same concern. Cincinnati also has very strong local ordinances limiting festival seating,” she went on to add. END.

 

(Information and news source: Billboard; September 26, 1981).

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ED BUSCH TALK SHOW – 1983

Ed Busch Talk Show Aircheck – 1983.mp3

Resume of Ed Busch

1968 – Present

Self-employed by Ed Busch Productions, Inc.

  • 2004 – 2005 – Producer, writer, interviewer for Black History Month television features for Cadillac and Chevrolet.  Identified subjects to be profiled within the African-American community, conducted interviews, wrote scripts for profiles and voiced the segments.  Aired on CBS 11 and channel 21 in Dallas/Fort Worth.
  • 1992 – 2003 – Voice, writer/producer of audio newsletters for Frito-Lay, Interstate Batteries and La Quinta Inns.  This consisted of interviews with the public, experts, authors and employees.
  • 1986 – 1993 KLIF-AM Dallas.  Talk show host and fill-in host.
  • 1986 – 1988 Consultant to KLIF-AM Dallas.  Responsible for helping change the station from a country music format to a talk format.
  • 1984 – 1986 Host/producer of the “Ed Busch Talk Show” national call-in talk show in joint venture with the Associated Press and carried by their network.
  • 1982 – 1983  “America Overnight” programmer/host of national call-in talk show.  Joint venture with RKO Networks and carried on 100+ stations.

1976-1982 WFAA-AM               Dallas                           Talk Show Host

1975-1976  KNBR (NBC O/O)  San Francisco                  Talk Show Host

1980s – 1990s freelance work:  Talk program consultant to WPLP-AM Tampa, WCKY Cincinnati, KFJZ –AM Fort Worth, KTBB-AM Tyler and KOA-AM Denver.  Hosted daily mid-day movie on Channel 27 (“Ed Busch and the Movies”) and a weekly TV version of my radio show on WFAA-TV Channel 8 with audience.

Recognition/Civic Highlights: San Francisco Bar Association media award for staging a trial on my program with the audience as the jury.  Dallas Independent School District award for swapping jobs with the Superintendent.  Dallas Observer voted Best Talk-Show Host.  Elected on the first-ever ballot to Texas Radio Hall of Fame.  Two-term president SPCA of Texas.  Mabank ISD bond committee member.

So adding to the earlier line up, it brings us to early  1968:  WTTO-AM Toledo

1968 WKNR FM

1969 WKNR-AM

1970, 1971: WCAR

1972 WWWW-FM

1973 (my first talk gig) WERE-AM Cleveland

And then to WFAA-AM…

Okay, I think that’s my whole life George.

Ed

PS, Dick Purtan once told me I was talented but my problem was  I’d go across the street for another $50 a week.  I guess he was right.

Ed graduated From Lincoln Park High School

W X Y Z Jingle – Lincoln Park High School.mp3

 

 

 

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