WKMH-AM ‘CRUISIN’ 1956′ WITH ROBIN SEYMOUR

From the MCRFB vinyl archives:

CRUISIN’ 1956  Increase Records (1970)

 

 

 

 

 

Cruisin’ 1956 was released in June, 1970

ORIGINAL LP COVER NOTES

By Jerry Hopkins

 

 

 

The CRUISIN’ history of rock and roll radio begins in 1956, one of the most exciting years in “pop” history, and to take us down this memory lane (with a beat) is Robin Seymour of WKMH, which was, when he joined it, a little-known station In Dearborn, Michigan. Robin came to the suburban Detroit station from the Armed Forces Radio Network and he brought with him a voice that mixed the warm, confidential tone of an intimate friend with the slick disc jockey rap we all know today, a blend which made him a natural for housewives and teenagers alike.

WKMH’s Robin Seymour

Robin never had any particular ethnic identification or allegiance but the “Bobbin’ with Robin Show” quickly found its audience, as he constructed a bright, orderly program that featured (almost exclusively) the records listed on the sales charts printed by the music press. He also was among the first of the nation’s deejays to ask his listeners what they thought about new records, and hosted some of the earliest sock hops and commercial tie-ins with local record stores. In 1953 he was named “Disc Jockey of the Year” by Billboard, the music trade magazine. The following year he was given the same title by another publication, Hit Parader.

1956: President Eisenhower underwent an operation to relieve blockage of the small intestine due to ileitis, but physicians said he would be physically fit to run for re-election. Scientists said radiation was a peril to the future of humanity, Egypt seized the Suez Canal and the United Nations established the first international police force on the Sinai Peninsula. The first trans-Atlantic telephone cable system went into effect. The Hungarians revolted. Six Marine recruits were marched into a stream at Parris Island and drowned. The Andrea Doria sank off the coast of Massachusetts. And Elvis Presley and the spread of rock and roll nearly pushed everything else in this list of news stories right out of the conversation.

This was the year Elvis recorded Heartbreak Hotel, Don’t Be Cruel, Hound Dog and perhaps half a dozen other million-selling songs . The first of these (Hotel) appeared in the number one position the end of April and that song or another by Elvis occupied the same lofty spot twenty-five of the year’s remaining thirty-six weeks.

1956 was the year “rock ‘n’ roll” became an angry epithet, blamed by psychiatrists and religious leaders (not to mention thousands of parents) for the rise in juvenile delinquency; some even said it was all a part of some Communist plot. Elvis and his pack of noisy imitators were called obscene and there were real riots at dozens of concerts. There were non-rockers on the record charts, to be sure, but it was Carl Perkins’ Blue Suede Shoes and Bill Haley’s Alligator that became a part of the New Culture, not Gogi Grant’s Wayward Wind and Morris Stoloff’s Picnic. The war babies had come to teen-age.

Most adults in ’56 thought it was a fad and that “it” would go away. Most radio listeners believed otherwise. There were a number of rock giants on the popular music charts in 1956 and many had made their abrupt and rhythmic appearances there after serving an apprenticeship in the ghetto called rhythm and blues.

That’s what 1956 was: the teen-age 1776. There’d been rumblings earlier, but this year all the lines were drawn.

 

— Jerry Hopkins

 

http://www.youtube.com/watch?v=g4D4Lf6z0HY

Crusin’ series conceived and produced by Ron Jacobs

Recreating one of his old radio shows from 1956 is Robin Seymour, who then was with WKMH in Dearborn, Michigan. He had come to this suburban Detroit station from Armed Forces Radio and soon his warm, confidential tone had won him teenagers and housewives alike. His BOBBIN’ WITH ROBIN show was the reason BILLBOARD named him Disc Jockey of the Year in 1953, and HIT PARADER magazine did the same in 1954. Today he’s in television and concert promotion in Detroit. For this album, Robin Seymour was the first of the seven disc jockeys in the CRUISIN’ series selected as the best living representatives of Fifties and Sixties radio from seven top American radio cities.

(Cruisin’ LP series notes by producer Ron Jacobs, for Increase Records; 1970).

And today, a Robin Seymour video message from 2010 . . . .

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ARETHA RISES FROM CHURCH PEWS TO ‘LADY SOUL’ STARDOM . . . JULY 13, 1968

From the MCRFB NEWS archive: 1968

Miss Franklin Riding Big Wave In ’68 On New Found R&B Success

 

 

 


Detroit’s beautiful soul sensation Aretha Franklin from a Vogue spread 1968

 

NEW YORK — Before soul music moved “downtown” into the money, Aretha spent her Sundays singing in her father’s Baptist church in Detroit. Then, eight years ago, Aretha jumped off the gospel train, arrived in New York and kicked off a career that so far has netted her riches, five gold records, including one for an album, and a Billboard citation as the top female vocalist in 1967. But it wasn’t until last year, when “Lady Soul” met Lady Luck dressed up at Atlantic Records did Aretha move into the real money.

“I wanted to have a gold record,” remembers Aretha. “I wanted one so bad — to sell a million of something.” Jerry Wexler, Atlantic’s dean of soul, brought Aretha from Columbia, where her talent sputtered in their “pop inclined” climate, and gave her complete freedom to further expand more of her abilities and talents. But along with her artistic freedom, Wexler also supplied the tools to form her own free expression into self-discovery; tuned-in musicians from Memphis, a full hopper of materials to pick from, and plenty of gold records lining the walls for inspiration. “Atlantic came up with the same sound that I was feeling at the same time,” said Aretha. What Wexler did was allow the singer to grow at her own pace, into her own style.

Aretha Franklin makes Time June 28, 1968 (Click on image for larger view).

In 1968, Miss Franklin will earn more than $750,000. Atlantic Records will reap a portion of Aretha’s record harvest in return for a million-dollar contract payable over the next several years. On the strength of her soaring stock, Time magazine toasted Miss Franklin with a front cover and, with a five-page story in the June 28 issue, marking her official coronation as “Lady Soul.” Miss Franklin will only talk in public about the cover, but not about what’s inside. The length of the article, she says wryly, is “something to speak about.” Privately, she thinks Time “could have stayed a little closer to the fact” concerning her personal life.

Husband as Manager

In addition to her Atlantic contract, Aretha has signed up with her husband, Ted White, for personal manager. “We haven’t had any real trouble so far,” said Aretha about the boss-husband twist, “but it is difficult having your husband as manager. You never know what side he’s coming from — from the husband side or manager side.” But when the bookings are in and they can retreat to their 12-room colonial home in Detroit as a couple and not as partnership, Aretha’s business demons dissolve with the immediate pleasure of her family. “All I want to do,” Aretha muses, “is to be able to function as a simple, honest and true citizen as a human being.”

On stage, Aretha blends earthly humor with the dignity of a Sunday sermon. She will talk about her stiff piano stool back, the sting of new shoes pinching at her heels and, the next moment, belt out “Think” or “Baby, I Love You” with brilliant bursts of gospel power, back-porch blues or rhythm and blues. She toured Europe in the spring and plans to do it again. “It was the greatest,” she said. In Holland, the audience threw flowers — bouquets of flowers and roses — and in Stockholm, the Crown Prince and Princess sat in the audience.”

But despite the gold already won and new gold on the way for albums Aretha: Lady Soul and Aretha Now, she shuns the refinement of pop royalty. “I by about 20 pounds of chitlings every two weeks,” says the young soul singer. Ray Charles called her “one of the greatest I’ve heard any time.”

Miss Franklin will follow up her recent Madison Square Garden appearance for the Martin Luther King fund with a special solo concert at Newport in August. On August 20, she will be featured on an ABC-TV special and, later this summer, she will perform in Caracas, Venezuela. END

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(Information and news source: Billboard; July 13, 1968)


Atlantic Records studio producer Jerry Wexler and Aretha Franklin strikes gold in 1967.


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